r 4S5 
Alphtibeiiail List of Bankruptcies. 
and reflects n?uch credit on the txilenls 
and judgment of the tuUlior. 
B-ans dcs Vjchcr.: Tie Land of Mj Birth 
a favourite ^frlo for Two Trebles, or Tenor st 
*and a Bassy vjit/i an Acco-mpanirnent for the 
Pianoforte and Flute, or Tivo Pirforners 
on One Piano-forte, by Thomas Walker, os. 
This composilinn, tlie words of which 
are written by Mr. James Montgomerv, 
is calculated to give us a very favom-ahle 
impression of Mr; Walker’s abilities, as 
a vocal composer. The passages are 
well conceived, and run into each other 
with much natural ease and consistency 
of effect. Mr. Walker has long been in 
the habit of occasionally delighting the 
loverS' of classical composition with his 
excellent counter-tenor voice, and chas»'e 
style of performance; and we are pleased 
to observe this new and successful ex¬ 
tension of his musical powers. 
'Three Grand Sonatos for the Pianoforte, com¬ 
posed and dedicated to Adiss hegter, in Dub¬ 
lin, by Joseph PFoclfy esq. IOj. 6d. 
Mr. Woelfl,, wiiose piano-ft)rte com¬ 
positions always convey to oiir feelings 
the masterly style and powerful effect of 
his own execution in perfoimance, lias 
given ill the work before us, anotiier 
proof of the strength and richness of iiis 
knaginatiotu IMany of tlie passages in 
these excellent pieces are truly original, 
and others, which we must in candour 
say we have often met with elsew here, he 
hafe so happily introduced as to fairly make 
his own. In a word, the higher order 
of practitioners will do well by giving 
their attention to this 55th opera of tlie 
first piano-forte performer in England, 
both for the improvement of tiieir finger 
and ebitivation of their ear. 
ComCy Gentle Lyre,"’ composed fwith an Ac"- 
companiihent for the Harp or P'lasa-fone,) 
hy Adrs. Page. Is. 6d.- 
It is no mighty compliment to our¬ 
selves to say, that we liave peculiar plea¬ 
sure in embracing the opportunities 
offered us of speaking I'avourably of 
female efforts; that pleasure is amply 
afforded us in the present instance. 
( The Solicitors’' Names are between Parentheses.) 
B ANKRUPJ'CIES. [This 172.] 
A cton J. C. Kiiistlai'd. vift'iallev. {Walker 
Allen V7. Worccller, glove manufaftiiier- (Bcrke 
Atkins s, liiidfee Water Iquue, v/au!; cal's maker. 
[Coleman 
Mrs. Page has produced a vocal compo¬ 
sition that we cannot but admire for its 
simplicity atid sweetness, and that will; 
we feel the pleasing assurance, be ho- 
Homed by the public approbation., 
Duett fer the Harp and Piano-fortCy composed hy 
F. 1 Nader man, Op. 25. 6s. 
This .duett comprises three movements), 
the first of which is in common time of 
four crotcliets, allegro; the secoml in 
compound cmninmi time of six quaveis, 
andante ; and the third in triple time of 
t.bree crotchets, in poiacca elegante. wThe 
whole of the composition is tinged with 
the rays of real talent, and the master is 
unequivocally displayed both in the 
conception and arrangement of the pas¬ 
sages. 
A Complete Guide to the Art of Playing the 
Gti rnan FlutCy by John Beale, iis. 
Mr. Beale, in this elaborate and well- 
digested didactic publication, htis 
amassed with industry, and arranged 
with judgment, a great variety of useful 
matter, both as illustrative of principle 
atul as 'giving practice its proper direc¬ 
tion. 
We certainly cannot dissent from this 
ingenious master’s own assertion, that 
the gamuts he has funished “contain the 
be.T.t methods of fingering,” nor can we 
withhold our approbation of his forty- 
tzco examples exemplifying the different 
mode's of longuing. I'lie lessons, airs, 
and duetts, are progressively arrajiged, 
and the cadenzas and tables of transpo¬ 
sition will be found highly useful to every 
tyro on the Geianan fi;ue. In a word, 
Mr. Beale’s precision in giving the best 
position of the instrument he teaches, 
describing the p’aces and motioiis of the 
fingers, laying dowm the true rules for 
commanding a pure and firm tone, and 
producing those effects which all pi'acti- 
tioneis find it so much easier to admire 
than to imitate, bespeak his (jualifieations 
for tlie task he has imposed upon him¬ 
self, and evince his thorough act;uain- 
tance with the subject of his treatise. 
hetrceen th& 
Gazettes. 
the Attornies are to he understood to reside 'in London 
except otherwise expressed. 
Anftiv J. Lamb's Condiiit ftreet, linen draper. {Holl¬ 
and Co, r K f 
AveiieU C. Portfea, watchmaker. (Howard 
Ayittc W, Bi’fiad (Vreet, uphnifttrer. HarrUbn 
Bailey J. hUikfi iars road, taylor, (Reynolds 
Ban j. Newcaftle-uiider*Lyme, erocei. (HalthaU 
and Co. 
Barrs W. Beicefter, millsr* (Battye 
Barnett 
Alphabetical List u/‘ i-l.vNKiiui'TCiES and DividExNOs, announced 
Hith oj October and the Hath of November, extracted from the London 
Bankruptcies 'in and near London, 
and in Country Bankruptcies at the Residence of the Bankrupt, 
