204 
Spanish Boohs, published by Boosey and 
Sons, Broad-street, -Exchange. 
El Teatro Espanoi; con Notas Criticas y 
Explanatorias. Vol. I. containing Seven 
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price 18s. 
Anaya Essay on Spanish Literature; con¬ 
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cimens. 12mo. 5s. 
El Diablo Cojuelo, Verdades Sonadas, y 
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La Fioresta Espanola ; or Select Passages, 
in Prose, extracted from the most celebrated 
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Feraud Cartas Mercantile®, Conocimientos, 
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Feraud’s Vocabulary and Dialogues in 
English, Spanish, and Portuguese, on Subjects 
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price 3s. 6 d. bound. 
By Treuttle, Wiirtz, and Co. 
Vauban, de Fimportance dont Paris est a 
[Ocl. 1, 
la France, et le soin que Pon doit prendre de 
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Millengen Histoire Metallique de Napo¬ 
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campagne de 1 ‘armee d’ltalie jusqn’a son ab¬ 
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Comte Alexandre de Laborde, Voyage 
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New Music and Drama. 
NEW MUSIC AND THE DRAMA. 
Cendrillon, acelebrated French Air, ar¬ 
ranged as a Rondo for the Piano Fo, te, 
by T. B. Phipps. 3s. 
HIS air, highly attractive in itself, 
is here turned to very good account. 
The introduction of the car dance, 
and the German flute accompaniment, 
are eligible additions; and the result of 
the whole is an effect which bespeaks 
the lively and tasteful mind of the 
composer. 
“ This sweet Rose, tho y a beautiful 
Flowera Song written by Mr. D. A. 
O'Meara, and composed by John Davy. 
1 ,?. Qd. 
This little song (in two verses) is both 
written and composed with considerable 
ability. The words are poetical and 
elegant, and the melody is sweet and 
appropriate. Without perceiving any 
distinct and original beauty in this or 
that passage, as it presents itself, we 
derive from the impression of the whole 
peculiar gratification. The ideas are not 
only consistent and connected, but suc¬ 
ceed each other with peculiar ease and 
gracefulness. Mr. Davy has obviously 
taken great pains with this composition. 
A high degree of taste pervades the 
strain, the style of which is compound¬ 
ed of natural mellifluousness and artifi¬ 
cial ornament. 
“ Chase away those anxious fears, “ Tho' 
twin'd around my heart, dear," and 
“ When the youth kneeling, his passion 
revealing,'’ by G. W. Reeve. 4s. Qd. or 
Is. Qd. each. 
These songs are composed in a clear 
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the power of the master to adapt his 
melody to the various feelings cf nature. 
The sense of the words is strongly and 
agreeably conveyed; and the general 
effect is appropriate and attractive. 
The title of the piece, as here given, is 
The Witch of Durncleugh, (being a ver¬ 
sion of Guy Mannexing ) and these 
songs are newly written. They have 
piano-forte accompaniments, and trans¬ 
positions for the flute, and are every 
way accommodated for chamber prac¬ 
tice. 
Fourteen Favourite Airs for two Flutes, 
composed in a familiar Style for the 
Use of Young Practitioners , by Weiggl- 
deni, jun. 3s. 
These airs are so light and easy, that 
they cannot fail to improve those who 
will 
