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well; 
SMYTH. 
VIOLET. 4] 
The White Violet is also made the emblem 
of innocence; and, from the following lines, by 
a poet of the sixteenth century, it appears to 
have been then considered as a symbol of con- 
stancy :— 
Violet is for faithfulness, 
Which in me shall abide : 
Hoping likewise that from your heart 
You will not let it slide. 
The poetry, the romance, and the scenery, of 
every country are embroidered with Violets. 
Violets dim, 
But sweeter than the lids of J uno’s eyes, 
Or Cytherea’s breath. 
SHAKSPEARE. 
From several other passages in Shakspeare’s 
works, it is evident that the Violet was a fa- 
vourite with our great dramatist. We doubt 
if the poetry of any language can produce lines 
more exquisitely beautiful than these, in which 
he compares the soft strains of plaintive music 
to the perfume of Violets :— 
That strain again !—it had a dying: fall |— 
Ob! it came o’er my ear like the sweet south 
That breathes upon a bank of Violets, 
Stealing and giving odour. 
Twelfth Night. 
2 
E 2 

