118 VICTOR STATUES REPRESENTED AT REST. 
had three statues at Olympia: those of the boy boxer Antipatros of 
Miletos, whose victory is given by Africanus as Ol. 98 (=388 B.C.); 
of the two boy wrestlers Agenor of Thebes, who won some time between 
Ols. 93 and 103 (=408 and 368 B.C.), and Xenokles of Mainalos, who 
won some time between Ols. 94 and 100 (=404 and 380 B.c.).!. The 
inscribed base of the latter has been recovered and the footprints 
show that the statue was represented at rest, the body resting equally 
on both feet, che left slightly advanced. Andreas, a second-century B.C. 
Argive sculptor, made a statue at Olympia of the boy wrestler Lysip- 
pos of Elis, who won some time between Ols. 149 and 157 (= 184 and 152 
Br Guje 
THE SCHOOL OF SIKYON. 
The Sikyonian school of bronze founders was closely afhliated with 
the one at Argos. Early in the archaic period the brothers Dipoinos 
and Skyllis, sons or pupils of the mythical Daidalos of Crete, migrated 
to Sikyon.? A generation later another Cretan sculptor, Aristokles, 
founded there an artist family which lasted through seven or eight 
generations: His two grandsons Aristokles and Kanachos are known 
to have collaborated with Hagelaidas on a group of three Muses.® 
Many have seen in the small bronze found in the sea off Piombino, 
Tuscany, and now inthe Louvre (Fig. 19),° a copy of the Apollo Phi- 
lesios, the best-known work of Kanachos. This gem of the bronze 
art, in true archaic style, may very well represent the 4pollo, which, 
according to the description of Pliny’ and the evidence of Milesian 
1Antipatros: P., VI, 2.6; Hyde, 16; Foerster, 309; Agenor: P., VI, 6.2; Hyde, 53; Foerster, 
355; Xenokles: P., VI, 9.2; Hyde, 85; Foerster, 308; Inschr. v. Ol., 164; J. G. B., 90; Furt- 
waengler wrongly ascribed the statue of Xenokles to the elder Polykleitos and that of Aristion 
to the younger: Mp., pp. 224-5. Loewy had already assumed the elder for Aristion, Strena 
Helbigiana, p. 180, n. 4, and this was confirmed by the early dating of his victory in the Oxy. 
Pap. 
2P., VI, 16.7; Hyde, 162; Foerster, 515. On this sculptor, see Pauly-Wissowa, I, p. 2137; 
TG, BAS: Tasch Ul so etc: 
3Before 600 B. C.; Robert, in Pauly-Wissowa, V, pp. 1159 f.; cf. Collignon, I, pp. 131 and 
222 f.; Overbeck, I, pp. 84 f. 
4P OAV 1s Oil ats 
5Antipatros of Sidon, in 4. Pl. (XVI), no. 220; on Aristokles, see Pauly-Wissowa, II, p. 937; 
Robert, Arch. Maerch., pp. 95 fF. 
6Longperier, Notice. des bronzes antiques du Louvre, 1, 1868, no. 69; de Ridder, Les bronzes 
antiques du Louvre, I, 1913, Pl. 2, 2, and p. 7; B. B., no. 78; Collignon, I, Pl. V, opp. p. 312; 
von Mach, 18 (two views); Overbeck, I, p. 235, fig. 60 (two views); Springer-Michaelis, p. 
211, fig. 397; Perrot-Chipiez, VIII, Pl. XI; Reinach, Rép., II, 1, 84, 9. For bibliography, see 
Deonna, Les Apollons archaiques, p. 274. It is only 3 feet 4 inches tall. The 4pollo Philesios, 
stolen from Miletos at the destruction of the city by Darius in 493 B. C. (Hdt., VI, 19; but 
P., VIII, 46.3, and later writers wrongly say by Xerxes; see E. Meyer, Gesch. d. Altertums,? 
1912, III, p. 309), was restored from Ekbatana in Media in 306 B. C. by Seleukos Nika- 
tor (P.,/.c., and cf. I, 16.3). It is also mentioned by P., II, 10.5. The genuineness of the 
Piombino statuette has been assailed, but Overbeck has proved it genuinely archaic: Griech. 
Kunstmyth., II, Apollon, 1889, pp. 22 f.; cf. Gesch. d. gr., Pl., 1, pp. 234 f. 
TH. N., XXXIV, 75; cf. Jex-Blake ad.loc., p.60. Pausanias mentions a cedar replica of the 
Apollo at Thebes: II, 10.5 and IX, 10.2. See p. 336, n. 1. 
