128 VICTOR STATUES REPRESENTED AT REST. 
what later in date than the Rampin head, represents quite a different 
tendency in Attic art. While the Rampin head represents Ionic 
influence, this head represents pure Attic work untrammeled by for- 
eign influence, a true development of the old Attic sculpture in poros, 
the best examples of which are to be 
found in the decorative sculptures of 
the Old Temple of Athena on the Akrop- 
olis, enlarged by the Peisistratidai. 
Comparing it with the head of the 
Athena of the gable of that temple,! we 
see great similarity in the simple exe- 
cution and reserve in the treatment of 
details—characteristics of pure Attic 
sculpture—especially in the deep lines 
on either side of the mouth in the Jakob- 
senhead. ‘The hair is pictorially treated 
like a cap, traces of red appearing on it 
as well as on the lips and eyes. The 
Copenhagen and Rampin heads, to- 
gether with the famous portrait head - — - 
in the old Sabouroff collection,? and the Fic.22.—Archaic Marble Head 
head of a woman in the Louvre,? form of a Youth. Jakobsen Col- 
lection, Ny-Carlsberg Mu- 
our best examples of old Attic art out- seum) Copenhaeems 
side of the museums of Athens.4. The 
swollen ears of the Jakobsen head show that it is from the funerary 
statue of a victor, perhaps a boxer. Furtwaengler wrongly classed 
it as a portrait head.» A much discussed Attic work is the archaic relief 
of a charioteer in the Akropolis Museum (Fig. 63).6 This was formerly 
thought (e. g., by Schrader) to be a block from the later Ionic frieze of 
the old Hekatompedon which many believe survived the Persian sack, 
but it is more likely a part of a frieze belonging to a small shrine or 
altar. It represents a draped person entering a two-horse chariot 
with the left foot, the hands outstretched to hold the reins, the head 
and body leaning forward. Because of the krobylos treatment of the 
hair, fitted for both sexes, and the long flowing robe, the sex has been 
needlessly doubted, some calling it an Apollo or a mortal charioteer, 
others an Athena or a Nike, even though the line of the breast, so far 
as it is visible, shows no fullness, and the long chiton is common in 



‘Collignon, I, p. 376, fig. 193; Bulle, fig. 128 on p. 440. 
2Brunn-Arndt, Gr. und roem. Portraets, Pls. XXIII-XXIV. 
SG ALALATCH sa LON Ae axel | 
*Cf. Arndt, La Glyptothek Ny-Carlsberg, text to nos. 1 and 2. 
*Sammlung Sabouroff, 1883, I, Einleitung, p. 5. 
®Found in two fragments in 1822 and 1859-60: Dickins, no. 1342, pp. 275 ff., and fig.; B. B., 
21; von Mach, 56; Overbeck, I, p. 203 and fig. 47; H. Schrader, 4. M., XXX, 1905, pp. 305 
f.,and Pl. XI. Other references are given infra, p. 269, n. 9. 
