390 
Horarios, inscribed votive relief of, 75. 
Horfuabra, statue from Dahshur, Egypt, 330. 
Horse, crowned by Nike, on votive relief from 
Athens, 269; imported into Crete from 
Libya, 1; models of miniature horses at 
Olympia, 23; 
Horse-race (tamos xé\ns): common in Greece, 257f.; 
horses and colts distinguished in, 259; 
length of course at Olympia, 261; monu- 
ments, illustrating, 280f.; sport of the rich, 
257; when introduced at Olympia, 260; 
oe known as the apobates, at Olympia, 
282 
Horse-racers: bronze statuette of, from Dodona, 281; 
bronze statuette of, in Loeb collection, 282; 
bronze statuette of, from Volubilis, Mo- 
rocco, 281; dedications of, at Olympia, 23, 
278f.; on funerary relief, from Sicily, 
281; on galloping horse, on terra-cotta re- 
lief from Thera, 281; mounted, on Athens 
relief, 281; nude, on vases, 281; small 
figures of, from Olympia, 24; statue of, in 
Florence, 281; two fragments of statues of, 
from Akropolis, 281; victorious racer 
leading-horse, on Athenian relief, 281. 
Human sacrifice, as origin of funerary games, 14. 
Hunter, honor statue at Olympia, 42. 
Hybleans, the Zeus of the, at Olympia, 344. 
Hydriz, from Caere (Cerveteri), 52; bronze, as prize 
at the Panathenaia, 20. 
Hylas, ota with statue of youth from Subiaco, 
Hyperboreans, home of wild olive among, 20. 
Hysmon, statue at Olympia, 120, 164. 
Tapygians, King of the, 125. 
Iconic and aniconic statues, 54f, 
Ida, Mount, grotto of Zeus in, 235. 
Idealism,in Greek art, 56,71; idealism and realism, 57. 
Identification of athlete statues in Roman copies, 44. 
Idolino, the, statue in Florence, 131, 139, 141f.; as 
highest ideal of boyish beauty, 141; inter- 
pretation of, 142f. 
Ikkos, slain by Kleomedes, 35; as teacher of gymnas- 
tics, 59. 
Ildefonso group, in Madrid, 158. 
Iliad, games of Patroklos in, 9. 
llissos, river in Attica, 20; reler from, 312. 
Impressionism, in hair technique; by Greek artists, 
53; by Lysippos, 69. 
Ince Blundell hon of athlete, 167, note 4, 168, 180, 
Indians, the, of North America, funeral games 
among, 12. 
Information, ‘sources of, in reconstruction of Olym- 
pic victor statues, 43. 
Inscriptions, earliest, using pankration for dates, 
91; on pillars, in honor of victors, 34; on 
victor statue bases at Olympia, 43. 
Iolaos, hurls stone diskos, 218. 
Tonia, Rates Egyptian influence to Greek sculptors. 
2; school of sculpture from, 114; women 
eee winter: games, 49, 

INDEX. 
Ionians, short hair with, 52. 
Tonism, in Greek art, 115f,, 126, 129, 175; reaction 
against, 116, 126. 
Iphitos, restores Olympic games, 15. 
Ismenian Apollo, the, statue in Thebes, 304. 
Ismenion, the, at Thebes, tripods in, 19. 
Isokrates, statue on Akropolis, 24, 27, 281, 373. 
Isthmian festival, athletes divided into three classes 
according to age at, 189; beast contests at, 
25; excavations on site of, 25; famed in 
Roman days, 25; funerary origin of, 9; 
history and administration of, 17; inferior 
to Olympia, 25; later 1n honor of a god, 9; 
in honor of Melikertes, 10; most frequented, 
25; statue of victor at, in Athens, 27; 
statues of victors at, on Isthmus, 26. 
Italian Archeological Mission, a 
Italy, funeral games, in ancient, 11. 
Jahn, O., on symmetry, 66; on the Wounded Amazon 
of Capitoline, 157. 
Jason, statue so-called, of Louvre, 86. 
Javelin (axovriov), 164, 165; as athletic attribute, 
108, 164; Greekeonames for, 223; size of, 
223; on vase-paintings, 164, 223. 
Javelin- -throwers (axevticral), 222F: two bronze 
statuettes of, 227, 228; on Spartan relief, 
227 
Javelin-throwing, 222f.; athletic type of, 223; for 
dista ance, 223; from horseback, on vase- 
paintings, 293: at games of Patroklos, 2233 
origin of, mythical, 222; positions in, 223f.; 
positions, given by E. N. Gardiner, 223; 
practical, in war and the chase, 223; in 
sculpture, 224; two types of, 222, 223. 
nude, on vase-paintings, 280; in short- 
sleeved chiton, on b.-f. Panathenaic 
vase, 280. 
Jones, H. Stuart, on Pliny’s Perseus et pristae of 
Myron, 188. 
Joubin, A., on Delphi Charioteer, 278; on Olympia 
gable sculptures, 114. 
Juba II, King of Numidia, 166. 
Juethner, J., on Greek origin of javelin-throwing, 
222; on shapes of jumping-weights, 214f.; 
on Standing Diskobolos, 2203; on statue oF 
boxer from. Sorrento, 243. 
Jumping, 214f.; adapted to painter and not to 
sculptor, 217; ancient records in, 216; 
modern records in, with and _ without 
weights, 216; modern record in, from 
spring-board, "216; most difficult feature of 
pentathlon, 216; most representative fea- 
ture of pentathlon, 214; in Odyssey, 9, 214; 
as part of pentathlon, ‘214; popularity of, 
216; spring-board not usedas in Greece in, 
216; various moments in, depicted on 
vases, 216, 217; with weights, 216, 217. 
Tumping-weights (Gt Apeed 214f.; as attribute of 
pentathletes, 164; on bronze statue in 
Berlin, 164; dedications of, 22; forms of, 
214f.: club-like form, 215; semispherical, 
215; forms of, divided by Philostratos, 
Jockey, 
