i332 THE ARCHEOLOGICAL EXCAVATIONS IN ANAU. 
Form.—The rather small collection of fragments exhibits only one form— 
a deep cup with a lip gently drawn in and not profiled, and a concave bottom 
(figs. 104 and 105). 
Ornamentation.—The patterns on the dull slip were mostly in a thin mat- 
black or mat-brown color. The system of ornament has, in certain details, it is 
true, points of resemblance to the ornamentation of groupsaand b. Asa whole, 
however, group c differs so materially from groups a and 6 that it stands as 
a special group by itself. This group is shown in figs. 106-113 and in colors on 
plate 22, figs. 1-6. 
As the reader will see at the first glance, the characteristic motif of the deco- 
ration is a zigzag band filled with the trellis pattern, save in exceptional cases, 
as shown in fig. 111. The lip pattern is very fine and effective—a band of simple 
or oppositely placed triangles, between which triangular or respectively rhombic 
areas remain in the ground-color. While the zigzag band does not occur in the 
pattern scheme of groups a and b, the marginal pattern is related to it. The 
trellis-triangle as a filling pattern (fig. 106 and plate 22, fig. 1) has also a resem- 
blance to it; but its composition is original. The trellis-triangles can also be 
oppositely placed, and combine to form rhombic patterns (fig. 110 and plate 22, 
fig. 3). In this way they alternate pleasantly with the zigzag bands. Zigzag 
bands are themselves, at times, arranged 
to form rhomb patterns (fig. 109). An 
explanation is needed of the horizontal 
lines whichare drawn through these patterns 
(figs. 106, 109, and 110, and plate 22, figs. 
1 and 3). They are doubtless aids for the 
regular execution of the composition and 
are a sign of the limitations of the technical ability of the decorators. They 
have without doubt, however, a significance in the evolutional history. One 
needs only to compare the examples from groups a and 6 in figs. 81 and 82. A 
special part is played in the decorations by broad lines filled with vertical zigzag 
lines (figs. 112 and 113, and plate 22, figs. 5 and 6). They are distinguished 
from the band-pattern (Bandmuster), of groups a and 6 by their vertical position, 
and they have consequently a different significance. 
In any event, the technical and decorative peculiarity of group c points to 
another workshop than that of groups a and 5, the latter two certainly belonging 
to one and the same center of production. It can not, however, have been very 
far distant, for there are sufficient points of resemblance between group c and 
groups a and b to prove their relationship. 

POTTERY OF THE UPPER STRATA, CULTURE II. 
While painting predominates in the pottery of the middle and lower strata, 
in the more delicate forms as well as in the coarser service vessels, it is much less 
present in the pottery of the upper strata. Here the common ware is to a 
much greater extent monochrome and the red and gray ware (entered above 
