- Gela Re publique Francaife, ouvrag 

i 
Sr4 
La Foret; ou L’abbaye de St. Clair, 4 vol. 
jn 18mo. Danné. 
La revolution en Vaudevilles, ou Precis de 
les prinerpaux evenemens depuis ies Notables 
juiqu’a Cartier, 2 vols. 18mo. Johanneau. 
'~ Le Telegraphe duscommerce, & des finances 
€ perludique 
de deux demi-feunles par decade. 
Ethelinde, ou le Reclufe du Lac, par Charlstte 
Smith, de Y Anglais par Lamontagne, 4 vols. 
Review of New Mujic. 
Carite et Polydares; par I: I Barthelenty, 
auteur duV oyage a’ Anacharfis, 180 pages, 12mo, 
Nouvelles observations fur les abeiltes pat 
F. Huber, 12mo. 300 pages. “its 
La Reviel d’Apollon, ou Galerie fitteraires 
choix de vers, bons mots, é&c. pour Nan 4, No. 
IL. fecond trimefire, 200 pages. — * “- 
' Journal recreatif, dedié aux habitans des 
yilles, & des campagnes. 
[ The conclufi ont of this I yf is ip oot till oxr dual’ 4 

REVIEW Or NEW MUSICAL PUBLICATIONS. 
"THE Wicklow Mountains, a Comic Onn, 
performed at the Theatre, Sob e. 
confiting of National Airs, &c. by W. 
Shield, 8s- ~ Lorgman and Broderip. 
After a fedulous pert ufal of this opera, 
we find the ingenious compofer en- 
titled to much commendation. In the 
melodies which he has fele€ted from the 
Hibernian minftrels he has exercifed much 
judgment, and in thofe of his own pro- 
-duétion has diiplayed a confiderable por- 
tion of that inventive talent which per- 
yades his es compoflitions. 
With the effeé of the overture, which 
isalmoft wholly compiled. we were greatly 
pieafed at the theatre, a and find that in its 
prefent flate it forms an Bane apie leffon 
for the piano-forte. We c 
pardon the theoretical impropriety of its 
comme acing ill 97€ key, and concluding 
The air ‘* Here at ber cabin 
in ane cher ° 
doo,’ » by Mr. Shield, with which ‘the 
Piece opens, is fimp! y pretty, and its in- 
troduction by the horns particular ‘ly at- 
tractive. The fucceeding fong is charac- 
‘teriftic, and the duet ‘‘ do, deareft love,” 
produces a firiking \f\ fweetnefs of effect. 
<< Tbe born, foril!, iodo Ls loud, and clear, 
by Mr. Shie!d, is 2 fong of much merit, 
and is difti ing uithed | by paflages ftron aly 
appropriate to the words ; as in the notes 
given to Or dying pani, or nobly [well, and 
“The lover bh: ars the voice of fame.’ aR 
Ruiian air fet to ee Feliz,: yOu have rebo'd 
the mail,’ with which the. firt 
cludes, is judicioufly chofen. 
-adt commences Me agreeably with “ 4 
Linnet purfeed,” which is a beautiful little 
ait? Phe mext és ee fro: which is 
‘pleafingly C anceived, remil cae us of the 
fiyle of Dr. ARNOLD s-and ‘* When young 
dbey call’ d me roaring boy,” whick is a a kin a 
of Englith brave rave gives the poet's fei fe 
with a happy force had clearnefs. “Ihe 
chorps “Anbe Di em: Lives,’ though 
mot of a fir {i-rate IER tiaa, aaa : fcien- 
aét con- 
nnot however 
‘Phe fecond 
Ge eeteas poffeffes fome merit, 
and the old fa, /a, /a, makes an excellent 
finale. 
Lames 
Three Trios for Two German Flutes, or Flute, 
‘Violin, and Violoncello, by Theshald lfon= 
maint, §8.- Culliford and Co. 
‘The trios now. before. us are hort, 
familiar, and perfeétly calculated for thé 
exercife of young practitioners. “The 
plan upon which fuch productions are ne- 
cel farily dontruéted, does neither require 
ner admit much {eience, confequently, we 
are not to look for it in the prefent pub- 
lication : however, itis by no means def- 
ticute of that quality, and the ftyle of its 
melody 1 is {mooth, natural, and pleafing. 
A Study for the Flute in all the er, by oF. 
Hoffmeifier, As. Linley. 
This production of Mr. HoffinetRos 
does him confiderable credit as an Inftruc- 
tor of che Flute, in’ which charaéter he 
now préfents himfelf to the public. The: 
exercifes are progreffive, and judicioufly 
conftructed for thtir intended purpofe— 
that of improving the praétitioner. 
The favourite Overture to Harlequin Mariner, 
for the Piano- -Forte, by ee Sziderfon, 48 
Cutliford and Ce: 
This CGverture al at aye move- 
ments, the firft of which, in 3 Allegro 
Maeftofo , 1s bufy, bold, na lively, and 
the fecond, a Rondo in‘ s Allegro Mode- 
rato, is pleafing i in its fubjedt and equally 
animating. The fronger and more ftrik- 
ing paflages are fkilfully relieved by the 
pi ano parts, and the whole forms-an eX- 
cellent pantomime ov erture. 
Cowlli ips of the Valley, by Sohn Moulds, ts. 
Cullitord and Co, 
“66 Gaailin: of the Valley”’ ‘is a pretty 
little air. OF the poetry we cannot fpeak 
in _very high terms, but the mufic is 
fo Far calculated to compenfate that de- 
ficiency as, in the agereeate, to entitle 
uum to much credit, 
Bis 

[Nov 
