1796. ] 
it pafled off in feveral performances with 
fome eclat. We are forry to obferve, 
that the overture, compofed by Haydn, 
and orginally performed in this piece, 
is now omitted, and another fubftituted 
in its place. 
Haydn’s Second Set of three Quartettos, for 
two Violins, Alto and Bafs, Op. 74, 105. 6d. 
C.and Co, Alfo, by the fame, an Overture-for 
the Piano Forte, with Accompaniments, 4s. 
Ditto, 
Thefe works are in the ufual fcientific 
fiyle of this compoler, and only want 
good performers to do juftice to the 
author’s ideas. 
_ Collizzi’s Three eafy Sonatas and Duets, for 
the Piano Forte, Op. 7, 7s. 6d. Longman 
and Broderip. Phot 
Thefe {onatas are written in a very 
eafy ftyle, and well contrived for the 
ufe of juvenile performers. 
Mufical Remains, or the Compofitions of 
Handel, Bach, Abel, Giuliani, &c. {eleéted by 
EH. Jones, ros. 6d. 
We confets the neceffity of publifhing 
_thefe remains does not appear to us fut- 
ficiently obvious.. They are moft of 
them, at prefent, well known, and in the 
poffeffion of every amateur in mufic. 
Six Trios for Violin, Tenor, and Violon- 
cello, by W. Shields, Efg. ros. 6d. L. & B. 
Thefe trios have great merit. Some 
of them are in a very fingular time. 
‘The work is infcribed to the memory cf 
jacob Moore, Efg. and in an advertife- 
ment prefixed, Mr. Shields. informs us, 
that “ Thefe trios were compoled chiefly 
for that celebrated landfcape painter (in 
Rome) and dedicated to his memory, as 
a token of gratitude for the fervices he 
rendered the author, during his refidence 
in that city. The movements, which 
are written in the uncommon time of 
5, have amufed fome of the moft diftin- 
guithed profeffors, both in England and 
Jtaly, which induced the author to hope 
they will not be difagreeable to the 
public at laroe.” 
The Adopted Child, by Mr. Attwood, 8s. 
Longman & Broderip. 
The favourite Overture and Songs in Merry 
Sherwood, xs. each. L. & B. 
Thefe have confiderable theatrical 
effect ; and their repeated performances 
to crowded houfes are fufficient to fpeak 
to the merit they evidently poffefs. 
Afiole’s Six Duets for Two Voices, with an 
Accompaniment for a Piano Forte. 
Viotti’s Third grand Concerto, arranged for 
the Piano Forte, by Dufick, 7s. 6ds 
Review of New Mufic. 
Songs, Op. 3. 6d. 
families and country dances. 
53 
Cramer’sThree Sonatas,with Airs,Op. 11, 8s. 
Ferrari’s Twelve Italian Canons, 6s. : 
Moczart’s Eight Englifh and italian Can« 
zonets, 8s. : 
Madame Duffek’s Second Set of Three Har 
Giornoyiehi’s Vio, Con. in Gy, with Accom- 
paniments, 6s. 
Devienne’s fix Airs, arranged as Duets for 
two Flutes, gs. 
N. Corri’s Duettinos, German, Italian, and 
Englifh, 3s. 
We have carefully examined the laft 
nine pieces publifhed by Corri & Co.and 
they each of them have their ref{pective 
merits, according to the ftyles of the 
compofers, andthe inftruments for which 
they are intended. 
Three Sonatas for the Piano Forte, with . 
Accompaniments for Violin and Violoncellos, 
by A. Gyrowets, Op. 8, 8s. L. & B. 
‘Thefe fonatas are more brilliant than 
any this, author has yet  publifhed. 
We notice the popular airs of “ Wind 
gentle Evergreen,’ and ‘‘ My native 
Land,’ introduced with great effect. 
The laft movements are lively and 
pleafing, and, upon the whole, we con- 
fider that the merit ef this work will 
introduce it to the immediate notice of 
mufical amateurs. 
Banti’s Songs in Alcefte, each 2s. 6d. 
The favourite Duet in La Belle Ariene, by , 
Pafiello, 2s. 6d. 
Lyon’s Six Englifh Canzonets, 7s. 6d. 
Dr. Cooke’s Glees, tas. 6d. 
Ebden’s Glees, . tos. 6d. 
Pichl’s Duets for the Violin and Tenor, O 
Tioin Ase: Ord, 
Sperger’s Quartettos, Op. 1. 6s. 
Feyer’s Concerto for the Violin, Op. 2) §s- 
All by Longman and. Broderip, 
The well-known reputation of thefe 
compofers is fuch, that little comment is 
required on our part. We particularly 
notice the duet of Pafielloim La Belle 
Arfene, and the glees by Dr. Cooke and, 
Mir. Ebden. 
In Mufical inftruments, we this year 
obferve an improvement, announced by 
Meffrs. Longman and Broderip,in the bar- 
rel organ. ‘his inftrument is fo improv~_ 
ed, as that by uniting the harp ftop, it 
produces the effect of a band, and there- 
fore is particularly calculated for private 
Thofe 
gentlemen have alfo advertifed an im~ 
provement upon the fmall Piano Forte; in 
which are introduced fix additional notes, 
without enlarging the fize of the inftru- 
ment. ‘The additional notes have fine 
harmonic founds. ‘ : 
] ORIGINAL 
J 
