New Patents.....Review of New Mefical Publications. 
plication is too various and complicated 
to be underftood without a reference to: 
the drawings which are annexed. 
Befides the foregoing, the other new 
patents aré as follow, {ome of which will 
be more particularly noticed in a future 
number. 
To J. Epwarns, of Briftol, in April 
laft, for a method of afcertaining: more 
exaétly, the geographical pofition of fhips 
at fea. 
To W. SELLARS, of Briftol, in April, 
for a machine for {pinning wool, cotton, 
&c. without drums or betts, ufually em- 
ployed in fimilar machines. 
To Rost. JOHNSTON, of Greek- 
ftreet, Soho,,in March, for a medicine 
called eflence of muftard. 
To J. HarrRiorrT, Gaddune. Poe, 
wi Otober, for inventing a cog, or cap- 
ftan, to be applied to pumps, hydraulic 
engines, and fhips, and by which the lat- 
ter may make way in calms. 
373 
To JosEpH Haycrorr, of Green- 
land dock, Surry, in March, ee an im- 
proved gun carriage. 
To Henry Gotpine, of Willefdon, 
Middlefex, in March, for a machine for 
removing rubbifh, ftones, &c. fo as to fa- 
cilitate the working of Canals. 
To W. Bouton, of the royal navy, 
in March, for an improvement in the 
capitan. 
To W. Lester, of Yardly Haftings, 
Northamptonfhire, in March, for an im- 
proved harrow. 
To W.CuHapmMan, of Newcaftle-upon- 
Tyne, in March, for an invention for lay- 
ing, twilting, and making ropes. 
‘To ROBERT HOwpDEN, of Hoxton, 
in February, fora portable furnace for 
heating ovens. 
To J. Douctas, of Chrift church, 
Surry, in February, fora machine for 
moulding and making bricks. 
nr 
RE 
IEW OF NEW MUSICAL PUBLICATIONS. 

TX Canzonets, and a Gipfey Song for the 
voice, with an Accompaniment for the 
piano-forte or harp; compofed and dedicated 
to Lady Vernon, by 5. Tilley. Psa (de: 
Longman and Broderip. 
Mr. Fisin has fucceeded in thefe pieces 
in a refpectable degree. They are en- 
tirely calculated for the chamber, and 
qualified toimprove the vocal pupil. The 
firlt fong, ** The wretch condemn’d with 
life te part,” isa plain but pleating me- 
lody, and poffeffes much propriety of ex- 
preffion. The fecond, “* The fhape 
alone let others prize,”’ is in the form of 
a ballads 5 and though far from being the 
beft air in the colleétion, i is fmooth, plea- 
fant, and exprefive. The third, ** Poor 
moth, invain;” is fet with feeling. And 
the fourth, << Winds whifp per gently;”” 
placid, and fweetly eden qn the bth, 
*¢ Thro’ proves fequefter’d,”’? the com- 
pofer has diy! layed much beauty of fancy, 
and correstnels of judgment; while the 
fixth, ‘© When Delia on the plain ap- 
pears,” is diftinguithed by its eafy flow, 
and the agreeable t turn and conneétion of 
its paflages. ‘The Gipley fong is given 
in two movements; both of which’ pot- 
fefs a pleaiing vein of melody, and form 
a ftri& comment on the character of the 
words. 
Trio Concertante, for the piano-forte, 
flute, and baffoon, or violoncello; per- 
formed by Mefirs. Mazzineu1, Mon- 
ZANI, and Hormes, at the Nobility’s 
Honypury Mac. No. ¥xxt, 
eae ts; compofed and dedicated to Mr 
DENisoT, by M. Devienne. 33. 
MownzaNnti. 
_. This trio confifts of two movements, 
the firft of which is in common-time, al- 
legro moderato, and the fecond a rondo in 
common-tine, allegro affai. The open- 
ing movement is certainly no way ftri 
ing, yet contains mahy pleafing and well 
conftruSed paflages 5. “and the rondo, 
though not particularly engaging, is 
fmooth and eafy. The digreffions are 
managed with theoretical addrefs, and 
the returns to the theme are natural and 
attractive. 
A Quintetto for the piano-forte, two violins, 
tenor, and violoncello, as pe:formed at the 
Opera Concert; compofed and dedicated to | 
Mifs Burrer, by D. Steibelt. 56. 
We have perufed this elegant quintetto 
with fingular pleafure. It is highly 
finifhed in every bar, and does the nighelt 
credit to the polifhed fancy of the com- 
pofer. The execution is brilliant, the 
expreffion forcible, and the parts fo con- 
neé&t and eztremelées, as to evince great © 
theoretical dexterity. The piece com- 
prizes two movements ; the firft of which 
is in common-time, allegra brilliante ; and 
the fecond, a rondo in % preffo, the fub- 
ject of which is perfectly Mr. STEI- 
BELT’s. »~Dhe whole, ina word, forms 
a compofition of firft-rate merit, and re- 
flecks much honour on the genius, {cience, 
and contrivan¢e of the compofer. 
3c A Net- 
