294 
Confurnption 2 = - 970 
Convulfions Fees ee Se ae 925 
Croup - - - Se. 
Dropfy - Soe zis WAGE 
Fever - - = - 415 
Flax | = - - - 4 
French Pox - -— ei Mies a} 
Gout = = - - 25 
Gravel - a 2 - 3 
Grief - - - - I 
Gripes Soh se - - 5 
Hooping Cough - - - 1o4 
Jaundice - ie - 20 
inflammation - - - 113. 
Liver grown - - = I 
Lunatic - yore = ¥4 
Meailes 2 - - ~ 36 
Review of New Mufical Publications. 
Mortification - - = 57 
“Palpitation of the Heart Bae I 
Palfy = - = - 25 
Pleurify - - - - oe 
Quinfey - - ~ - I 
Rupiure - - = 4. 
Rheumatifm - = - ~ 2 
Scurvy ie - - ~ I 
Small Pox - = 4 798 
Sore Throat — - = = 2 
St. Anthony’s Fire ~ - t 
Still-born  - = - 2 139 
Suddenly = - - (20 
‘Becta a - al s 69 
‘Thrufh - = = a 15 
Water in the head = = 8 

REVIEW OF NEW MUSICAL PUBLICATIONS. 
5 \VUMBER IV. of Guida Armonica, or In- 
troduction to the general Knowledge of Mufic, 
theoretical and praéfical, with fonatcs, airs, 
Fc. for the piano-forte, by J. Relfe. 4s. 6d. 
Longman and Broderip.: 
The dida&tic part of this number is 
receded by a tolerably good fonata, con- 
‘iting of three movements ; the fecond of 
which, is amarch compoied purpofely tor 
the firft regiment of the Tower hamlet. 
The theoretical part commences with an 
eflay, introduttory to that branch of the 
{cience of mufic called thorough-bafs ; in 
which the author treats of the harmonic 
triad, and its different inverfions: of thefe 
inverficns we have ufeful examples, toge- 
ther wirk exercifes on the concords arifing 
from them. Having explained and eluci- 
dated by notes this harmonic fria@d, with 
its inverfions and fignatures, Mr. Relfe 
proceeds to the illufration of another {pe- 
cies of harmony, diftinguifhed by the 
name of dijcord; and gives a judicious, 
clear, and fatisfactory definition of its 
properties and effect. He then enters on 
the particular con‘ideration Of the, Nar 
feventh, pointing it out as the firft of all 
difcords both in order and effect; and 
furnithes copious examples of its nature 
and charaéter.. By thefe brief remarks 
our readers will perceive, that the Guida 
Armonica continues to exhibit the fame: 
judgement and mufical learning which dif- 
tinguifhed the former numbers, and at 
once invites the attention of the true ama- 
teur, and refleéts the highe credit on the 
author's proieffional learning. 
6¢ The Farewell,” a ballad, with an accompani- 
ment for the barp or piano-farte. 18. Prejton. 
The imagination of the compofer ap- 
pears to have been infpired, as indeed it 
muit have been, by words fo elegant and 
fo truly poetical as thoie of the “* Fare- 
JJ 2? 
well.” The melody is a perfect chime 
to the delicacy of the fentiment; and, 
aided as it is by the accompaniment, ts 
{weetly affecting. : 
Cccafional Hymn, fung by Mifs Shepley at the 
York coneerts 3 compofed by Ni. Camiage. 1s. 
Prefion. 
The melody of this hymn, though not 
remarkable for its originality, 1s eaty and 
natural; and in the fymphenies fome 
firiking proprieties of expreflion occur, as 
well as marks of {cientific proficiency. 
We particularly allude to the introduc- 
tion of the natural eighth in the firft 
fymphony, and tuch bars in that and the 
fecond as are meant to apply to 
‘¢ Whofe nod can calm the feag that roll,” 
and ° re 
«¢ Can bid the wildeft tumults ceafe.” 
Admiral Nelfon’s Vi&tory, a fonata for the piano- 
forte, compofed by J. Mazzinghi. 2s. 6d. 
Goulding. 
This ‘temporary piece comprizes four 
movements, which, taken in the aggregate, 
form an excellent leflon for the piano-forte. 
The firft movement is in common time, 
lento, and introduces the fecond, which is 
in.= adlegretto con moito, and particularly 
pleafing in its ftyle, with much force of 
effeét. ‘The third is ftrikingly bold in its 
fubject, and carried cn with much variety 
and {pirit. With the fourth movement, 
ages x A uth : é 
In = allegretto maefiofo, we are greatly 
pleafed: the theme is remarkably fimple 
and engaging; and the fifth, in 2 viwaces 
exhibits a fertility and felicity of fancy 
which extorts commendation. 
6¢ Fanny, or Modern Honour 5” the words by a 
gentleman, the mufic compojed by Mr. Hook. 
Bland. 
The words of this little fong, which are 
-  plaintively 
