
2.96 Review of New Mufical Publications. 
in many mftances fets the moft common 
and well-known laws of harmony at de- 
es The inhibitions againft fucceeding 
eightis and confecutiwe fifths are no re- 
fraints upon the adventurous imagination 
of the compofer, and the whole ‘exhibits 
a picture of mufic running mad. 
$¢ Within thefe facred Bowers,” a favourite 
ong. Compofed by M. Mozart. 1s. 
_ Longmap and Clementi. 
This ueautifel little ballad adds another 
wreath to the brow of Mozart. The me- 
lody is {weetly pentive, and the expreffion 
every where forcible and juft. If its ge- 
neral excellence leaves us any thing to 
with for, it is the relief of modulation, 
which certainly would have ftill height- 
ened the efic€t, both as to air and fen- 
timent. 
Three Sonatas for the Piano-forte, with or with- 
out the additional Keys, and an Accompani- 
ment for a Violin or Flute. In which ‘are 
introduced a favourite Spanifp Air, The Ha- 
nowerian-Wals %, Rule Britannia, &c. Com- 
fofed, and dedicated to Mifs Glyn, by J. L. 
Hoberecht. 7s. 6d. 
' Goulding, Phipps, and D’ Almaine. 
-’Thefe fonatas are written with much — 
tafe, and difcover in the compofer a clear 
and experienced knowledge in fingering. 
The pailages are for the moft part flip- 
pant and flowing; and the harmony and 
modulation are. _judicioufly conduéted. 
-The Spanifh Air and the German-Waltz 
greatly enrich the work, and the accom- 
paniment is confonant an matterly. 
66 A Riddle,” fet to Music by a young Lady; the 
' Accompaniments by Mr. Theodore Smith, 1s, 
Goulding, Phipps, and D’ Almaine. 
Vith this little, fimple, unaffected air, 
we are much pleafed. The melody moves 
with a graceful eafe; and the accompani- 
ment by Mr. Smith, is judicioufly applied. 
The bafs carries with it. fo much of the 
character of a mafter, that, perhaps, we 
venture little in attributing that alfo to 
the ingénious author of the- chao pant 
ment. 
6¢ The Poor Orphan Nofegay Girl,” an admired 
Ballad, as jung with univerfal- Applauje at 
the Theatre-Royal, Drury-Lane, and at feveral 
of the Nobilitics Concerts. Compofed by an 
Amateur. Is. Rolfe. 
We find fome pleafant ealy paflages in 
this little ballad. We mu% confefs, that 
it preients to the ear nothing very novel 
or ttriking; but, at the fame time, it 
ranks above the ordinary character of the 
little vocal produé bets of the prefent day, 
and cannot fail co P) Jeate the lovers of fim- 
ple and natural melody. 
[A pril , 
“€ Variety,” a faveurite Glee for three Voices, | 
performed at the Crown-and- Anchor Glee-Club. 
ies by P, Miller. 1s. 
Goulding, Phipps, and D*Almdine. 
We have carefully perufed this Glee, 
and find it not to be univerfally true, 
that ‘* Variety is charming.” P. Miller's 
‘¢ Variety” exhibits, indeed, a paradox ;— 
it is ** Variety’ uniformly dull. - The 
melody is common-place and taftclefs, and 
the harmony baid and meagré. 
Trois grandes Sonates pour le Piano-forte, avec 
Accompaniment dun Viclon oblige. Compofées, 
et dedices 2 fa Majefé la Reine de Praffe; 
par D. Steibelt. Ocuure 27.. 85. Prifton. 
Thefe elegant fonatas are every way 
worthy the talents of their excellent author. 
Brilliancy and clearnefs of fancy, together 
with a thorough knowledge of the execu- 
tive powers of the in@rument for which 
he writes, form the leading features of 
every movement in the pages before us, 
and place Mr. Steibelt’s genius in the moft 
ftriking points of view. The general ftyle 
in which the work is written, is calculated 
both to intereft the proficient, and to im- 
prove the lefs advanced practitioner. 
Six Waitses, compofed and adapted as Leffons for 
the Pians-forte, with Accompamments for @ 
Tambourine and Triangle (ad libitum); and . 
Infiru€tions for performing on the Tambourine 5 
by T. Bolton. 53s. 
Goulding, Phipps, and D? Almaine. 
Tn this publication, the lovers of tambou- 
rine mufic will find a variety of ufeful hints. 
The flamps, femi-flamps, the travale, the 
double-travale, the gurgles, the bafs, the 
turn, and other neceflary particulars, are 
explained. “The waltzes are, for the moft 
part, uncommonly pleafing, and well cal- - 
culated for tambourine and triangle accom- 
paniments, 
A Scotch Air, arranged as a Randa for the. 
Piano-forte ; by A. Betts. 1s. Betts, 
This: Air, as arranged by Mr. Betts, 
forms a pleafing little leffon for the piano- 
forte. Some of the paflages are not fo 
well difpofed for the fingers, as, we think 
all minor exercifes fhould be: but, taken 
in the aggregate, we cannot but approve 
-the method in which the air has been, 
treated ; nor can we difmiis the article, 
without recommending it to the notice of 
all young pupils. : 
‘© Thrice Welcome to thy Native Home,” a Glee, 
for two Trebles and a Bafs, with an /iccomes 
paniment are two Performers on one Piano~ 
forte. Coupofed by L. Hoberecht. 2s. 6d. 
Goulding, Phipps, and D’ Aln:#ties 
The compoiition of this glee, does much 
honour to the talents of Mr. ae 
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