‘highly judicious. 
the Signal Cannon, the Call for the Cavalry, 
the Trumpet Ducti, and the Diftant Can- 
nonading, are all well managed; and the 
introduction of Io Arms, to Arms, is 
The Attack is -perfect- 
ly charaéteriftic, the Lamentation on the 
Field of Baitle is pathetically exprefiive ; 
the Quick March off the Field is lively and 
animating, and the Dance of the Wives and 
Children forms a conclufion pathetically 
happy and novel. . 
Teree Sonatas for the Piano-Forte (with or with- 
out the Keys) with an Accompaniment for a 
Flute or Violin, in which are introduced feveral 
favorite Airs.. Compofed, and dedicated to Lady 
Henrietta Semerfet, by John Lewis Hoberecht. 
7s. 6d. Goulding, Phipps, and D’ Almaine, 
We find in thefe fonatas a lively dif- 
play of fancy, and much ufeful and pleafing 
execution. 
happily varied, and the feveral movements 
contraft and relieve each other with an 
excellent effect. The ftyle is, in general, 
fufficiently finifhed and fcientific, without 
ftiftnefs or affeftation ; and the accompa- 
niments are added with a fkilful and judi- 
cious hand. Theazs Mr. Hoberecht has 
introduced, incorporate well with the ori- 
ginal matter, and confiderably enrich the 
work. 
Song tranflated from the French of Le Chevalier 
de Coucy.. Thé Mufic by H. Thompfon. is. 
Relfe 
We find fome extremely pretty paflages 
in this fong. The general caft of the air 
as indeed remarkably fimple and natural, 
and the relief produced by the digreffion 
into the sor of the original key is hap- 
pily conceived, and moft excellently pre- 
pares the ear for the da capo. The bafs, 
we are obliged to obferve, is not conftru@- 
ed with equal felicity, nor is the arpeggio 
accompaniment perfectly confonant with 
the tendernefs of the fentiment. 
in Ode to Charity, qwrittenby Mr. John Rannie. 
Set to Mufic, with an Accompaniment for the 
Piano-Forte, and dedicated to Mrs. James Gor- 
don, of Craig, by John Rofs, Orgazift of 
St. Paul's, Aberdeen. 3. Préfion. 
This Ode comprifes fundry recitatives, 
airs, &c. and occupies twenty-one pages. 
We do not any where trace any ftriking 
features of originality ; yet the general calt 
of the melodies, as well as the conftruc- 
tion of the combining parts, is farabove 
mediocrity. The paflages are for the molt 
part {mooth and eafy, and the fentiment 
of the words has been attended to with. 
fome fuccefs, But ina work of the length 
of the prefent, we muft confels, we natu- 
Review of New Mufical Publications. 
‘The pieces are in themfelves” 
[July i, 
rally look for more novelty and importance 
of feature, and fcarcely deem a placid 
eafy flow of borrowed ideas a compenfa- 
tion for the abfence of greater requifites. 
March @ la Militaire. Compofed by T. Haigh. 
1s; Rolfe. 
This March (which is perfe&lly @ la mi- 
litaire) is fo conftru€ted as not only to 
pleafe the ear, but to be highly ufeful to 
the piano-forte practitioner. The paflages 
he well tor the finger, and cannot fail to 
improve its execution. | 
Three Duetts for the Piano-Forte, with or without 
the additional Keys. Compofed, and inferibed ta 
the Right Hon. Vijcountels Perceval, by J 
Mazzinghi. 7s. 6d. 
Goulding, Phipps, and D’ Almaine. 
The movements of thefe duetts are hap- 
pily imagined. An elegance of ftyle, re- 
lieved by fome bold and original ideas, 
forms their general defCription. But they 
pofiefs another merit peculiar to the real 
matter; the parts eombine and move to- 
gether with that uzfoz of charaSter and. 
effect which we feldom have an opportu- 
nity of praifing in works of this kind; but 
which fhould ever form the chief feature 
of duetts, whether vocal or inftrumental. 
We cannot difmifs this article without re- 
commending it co the notice of piano-forte 
practitioners, both as inviting to the ear 
and improving to the finger. 
“* Ab! thefe were the Scenes."* A favorite Song, 
with an Accompaniment for the Piano- Forte. 
Written by Mr. Rannie. The Mufic by Mr, 
John Rots, 1s. 
Longman, Clementi, and Co. 
«’ Ah! thefe are the Scenes,” is a 
pleafing and interefting little ballad. The 
ume and /?yle of the movement is perfectly 
appropriate to jthe ideas of the poet, and 
the melody throughout is chafte, neat, and 
expreflive. The words we cannot pafs 
over without oblerving that they are ele- 
gantly conceived, and poflefs fome highly 
poetical turns. 
cc Young William.’ A favorite Ballad. Com- 
pofed and fung by Mr. Incledon. Arranged 
by Thomas Attwood. 1s, 
Goulding, Phipps, and D’ Almaine. 
Mr. Incledon, who has fo long charmed 
the town in the capacity of a performer, 
has added, by the prefent little effort, ano- 
ther leaf to his laurel. The melody of 
“© Young William” is fmooth, conneéted, 
and ftrongly expreffive of the words ; and 
the bafs, whether Mr. Incledon’s or Mr. 
Attwood’s, is arranged with uncommon 
{kill and judgment, 
cc The 
