562 
fentiment of the words with much pro- 
| priety and efieét. £* I muft try another,”’ 
fung by Mr. Dignum, is fimple in its 
fiyle, and ingenious in its accompani- 
ments. ‘ Fhe Tars of Old England 
again and again,” fung by Mrs. Moun- 
tain, though not of equal merit with either 
of the former two, is an eafy and natural 
movement; and will not fail to pleafe 
thofe who lenjay a ae and free melody. 
<* Young Willian feeks my Heart to 
move,” fung by Mifs Howells, is origimal 
m its catt, aad “judicioufly adapted to the 
furbjec of the ectry. “ The Happy 
Waterman,” fang ! by Mr. Denman, is a 
bold and open air, ae the Se 
fymphony is novel and att: active. «To 
Eendon Town Pilhb nate away,”” fung by 
Miis Howells, is, we aye oblized to ob- 
ferve, deficient both in novelty and va- 
riety; but <‘ Two Strings to your Bow,” 
furg by Mrs. Franklin, is fprightly and 
engaging ; and §* To-morrow’s a Cheat, 
let’s be meiry to-day,’ fung by Mr. 
Denman, is agreeably conceived, and 
elotes the colleétion with an effeét highly 
creditable to the ingenious author. 
“¢ Phere frail I go to feck repofe,” compofed by 
Mr. Matthew Payne, Organift at Coventry < 
the words by George Saville Carey. 1s. 
Longman, Clementi, and Co.. 
The melody of this fong is fmooth and 
ealy; but prefents no traits of extraordi- 
nary feeling or genius. If the compofer 
has not abiolutely been hoftile to the fen- 
timent and charaéter of the poetry, neither 
has he been /rigndly towards it; a certain 
infipid longour pervades the whole ftrain, 
and caufes itto glide unimpreffively along. 
“¢ Loft is my quict,” an Av, arranged as a 
Rondo for the Pigno-Forte, iy T. Baik gh. Is. 
: Rolfe. 
Mr. Haigh has arranged this air with 
ecniiderable ability. "The fupplementary 
paflages grow out ‘of the original fubjeé, 
and contribute to form an entertaining and 
improving exercife for the piano-forte. 
©* Roy's Wife of «lld:-wvalloch,” a favourite 
Scotch Air, arranged as a Roudo for tbe Piano- 
Forte, by T. Haigh. is. Rolte. 
This defervedly celebrated ballad is 
extremely well calculated for the purpofe 
to which Mr. Haigh has here applied it. 
In its prefent form: it becomes newly at- 
tractive, and parti icularly worthy the at- 
tention of the piano-forte practitioner. 
#6 The Mufieal Bouquet; or, Popular Songs 
Ballads :° fome of which are compofcd and 
others felected by the Editor. To which are 
added proper Accompa nyments for the Harp or 
Harpfichord, and nioft re[pe fully infcribed ta 
and 
Review of New Mufical Publications. 
¢ 
_[Auguf, 
his Scholars, by Edward Jones, Bard to the 
Prince of Wales. 73. 6d. 
Longman, Clementi, and Co, 
This mifcellaneous colle&tion ef vocal 
muhc comprifes many plealmg airs, and 
occupies 47 quarto pages. Amongft the 
various articles, we find the engaging 
fong performed at the feftival of lord 
mayor, im the mayoralty of Sir Watkin 
Lewes, ** The Invocation to Nature,”” 
from Schultz; ** The Death Song of the 
Cherokee Indian;”’ ** The Dirge i in Cym- 
beline;’’ ‘* Adefte Fideles,” or the Por- 
tuouefe Hymn on the Nativity; “* Here’s 
a Health to all good Laffes; “* Gently 
touch the warbiing Lyre,” from Gemi- 
niant; ** Come all noble Souls,” from 
Dr. Rogers; ‘* Gather your Rofe-buds 
while you may,”” trom Lawes: and feve- 
ral excellent airs by Mr Jones, whofe ac- 
companiments are, in pcotrely ingenious 
and judicious; and with thofe amateurs 
who practife the harp, harpfichord, or 
piano forte, will be round te add much to’ 
the value of the publication. 
No. 5, and No. 6, of ** Elegant Scleftions,” 
comprifing the moft favourite compofitions of 
Haydn, Pleyel, Mozart, Paficllo, and other 
eficemed authors, confifting ef Sonatas, Over- 
tures, Capricios, Rondos and airs, with Vari- 
ations for the Piano-Forte or Harp. 25. 
W. Rolfe. 
Thefe numbers contain a variety of 
amufing and improving matter, both 
vocal and inftrumental. The firit piece is 
a fonata by Haigh, the fecond a Scoftifh 
air by the fame author. Thefe are fuc- 
ceeded by ‘* the Fowler,’> a pleafing me- 
lody from Mozart, whieh clofes the fifth 
number. No. 6 commences with a cdn- 
zonetto by Haigh, after which we are pre- 
fented with “« the Fair Thief,” a {weetly 
fimple air.by Mozart, “ the Kus,’ an 
agreeable melody by Shultz, a favourite 
movement compofed by Mozart, and a 
celebrated air by Gluck. | While this 
work continues to be conduéted with that 
talte of choice which diftinguifhes the pre- 
fent and former numbers, we fhall be en- 
abled to recommend it to the notice of our 
mufical readers. 
6¢ 4A New and Complete Precepter for the Trum= 
pet and Bugle-Horn, with the whole of the 
Cavairy Duty,” by J. Hyde.  §s. 
Thompfon. 
This little work (fo neceflary and va- 
luable to thofe who praétife the above in- 
truments), befides the cavalry duty, as 
approved of and ordered by the Duke of 
York, contains a feleétion of airs, marches, 
and quick-fteps, for three trumpets; a 
{cale of the chromatic trumpet; fome airs 
particularly - 
