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REVIEW OF NEW MUSICAL PUBLICATIONS. 
ee ee ee ee 
Le Overture and Songs in the fralian 
Monk, as performed at the Theatre Royal 
in the Hay Market, compofed and adapted for 
the Piano-Forte and Harpfichord, by Dr. 
Arnold. 6s. 
The Overture and Son7s of the Italian 
Monk are written in a ftyle charaéier- 
iftic of the ingenious author. The over- 
ture, which is in # far, major, is pleaf- 
ing, and poffeffes more fcience than is 
generally difplayed in rhe introdu€tory 
mufic of the Englifh opera. The mo- 
dulation in the fecond movement, from 
the original key, E fiat, to that of E xa- 
tural, is extremely artful ; and, the re- 
turn to the former key is managed with 
an addrefs equally fcientific 
The firft fong, “ Noxny Nonny,” Cung 
by Mrs. Bland, is an agreeable trifle, 
and compofed with due attention to the 
caft of the words. The Chorus of Nuns 
(which, by the way, is omly a ductt) is 
charmingly fimple, and conceived in a 
Longman and Broderip. 
ftyle perfeétly congenial to its fubject; 
we cannot but, however, regret, that the 
doétgr fhould open it with a paffage 
which conftrained him to put the parts 
in an unifon through the four firft bars. 
“¢ Dark. was the Nizht;” fang by Mrs. 
Bland, is compofed by Mr. Kelly. Why 
Dr. Arnold, in this fong, chofe to abandon 
the exercife of his own talents, we do not 
know. ‘The air is meagre, and contains 
no lefs than three falfe accents, The 
other compofitions of the Opera certainly 
did not require a fuil ! 
The Trio, “ Love, xo Toil regarding,” 
fung by Mrs. Bland, Mr. Trueman, and 
Mr. Suet, is beautiful in ‘its melody; 
chafte and elegant in the conftruétion of 
its parts, and concludes the piece with 
much happinefs and effeét. 
“¢ The Cottage on the Moor,’? as fung by Mrs, 
Herbert, in che Pantemime of Niobe, come 
pofed by Ff. Sanderfon. 1s. Riley, 
« The Cottage on the Moor,” is one’ 




