SROUPING 
LIGHT TAN BLENDS 
Ria Wiles 5, «3 $ .50 
Maiden Blush ....... ifs 
California Peach .... 50 
*Cascade Splendor .... 3.50 
Ramplight. ..2%-- 2... 3.00 
Rainbow Room ..... 15.00 
(SAE! 2-0: np oleae teem 50 
CoOduNEWSien ee: 3.00 
Nightingale ......... 1.00 
COPPER BRONZE 
San Antone ......... $ 6.00 
*Russet Wings ....... 6.50 
Copper River ....... 4.00 
Copper Lustre ...... 50 
Brown Thrasher .... 1.25 
PRIM CLOGIS@amee ka. 3 cus re 5.00 
*Prairie Sumset ....... 1.00 
PeuCtame act idee a 3.00 
Sunset Serenade ..... 1.00 
Shishialgcts eee 1.00 
iuhersentinel).. 45.7. 50 
Cpr . coenuuommes 50 
Swale COME < Sonu can. 2.00 
Brilliant Amber ..... 5.00 
Copper: Glow’ .......- 3.00 
Sunset Blaze ........ 10.00 
Wiatchiiremenn. crea 5.00 
HENNA 
MOCKWOOd fase $ 6.00 
Tobacco Road ...... 3.00 
*Bryce Canyon ....... 3.50 
Honeyiowserenerie 5.00 
(CoLdOvale eee 2.50 
*Casa Morena ....... 2.00 
Autumn Splendor ... 7.50 
General Patton ...... 10.00 
Erainieel ive pecesas. . 4.00 
*Argus Pheasant ..... 18.00 
MAUVE LILAC 
PUA ACAI ANEY g.,0/ ads evid> $8.00 
O7ONCM re hE non 40 
*Violet Symphony ..... no 
Violet Crown ........ 50 
Wire ViOh Tae ayaa es 35 
Ormohrae eee ort 50 
TRUE PURPLE 
Bright Melody ...... $ 1.50 
“A OUNGOGTP oo Poa keoos 1.00 
Pe ATOII KC) gen fe he} 
CEDMVELVEL Aas). 15 
indian riillsee eee 40 
*Lord Dongan ....... 1.00 
Bien les MOOK 5.00 
*Master Charles ...... 2.50 
IBOTISS Ee. Tee ae 50 
ESSAN OV meen d chine Ghia 15.00 
RCA ANS | OV0. ws ales aot: 3.50 
PURPLE-BLENDED 
BROWN 
Dest Vien. ana Sena, 40 
SCAMeLOUlG eee 1.00 
*Grand Canyon ....... 15 
Rubiente wee oe 1.00 
WAGES IS COAL Pera edie? = 2.00 
LEMON YELLOWS 
Elsa Sass ... aso Uuany = Hell) 
Moonlight Madonna 1.50 
Golden Fleece ....... 1.00 
Zo MASty AG O10 me eames 1.50 
*Mattie Gates ........ 15.00 
Moonlight Sonata ... 10.00 
LIGHT YELLOW 
Golden Lustre .......$2.00 
Palle laine ae eee 50 
*Treasure Island ...... 50 
Golden Eagle ........ 1.00 
MEDIUM YELLOW 
California Gold ......$ .35 
Golden Ruffles ....... 5.00 
MUONS Vell OW hi 
Golden Majesty ...... 50 
Klondyke Gold ....... .75 
RICH GOLD YELLOW 
Golden Spike ....... $ .60 
SSD Gold sa es: 1.00 
Golden Hind ....... 35 
Late: Sune eee eee 15 
*Cloth of Gold ....... 2.00 
Illinois Sunshine .... 3.50 
Berkel evaGOld mena 1.00 
«Goldhbeater see 2.00 
SPAN Cel 2 er 3.00 
STAN hase eee ae 7.50 
) aS eee 3.50 
Olam Kal agewe eee ee 1.50 
Gladelidinesaee 3.00 
Search Ch Geen eee 10.00 
ORANGE TONED 
Warkan jAsinat aces sj0t eb $ .40 
EllagGallis eee 1.50 
<Rocketpe eee oe 8.00 
Prince of Orange ..... 50 
CREAM 
CA ATTIRYAKE gage as $15.00 
*Pale Primrose ....... 1.00 
*Amandine 9......--- 7.50 
cal bYectarns REY oso oe 7.50 
*Golden Treasure .... 50 
Snoqualmie. 47. u6 50 
Bellertveti eee 10.00 
YELLOW PLICATAS 
eDitan age eer $ 1.00 
Siegitied saceant iar 50 
Balun ys 9-5 aes ay) 
Bright; Lights 2) 3. 3.00 
*Firecracker ....-.... 3.00 
Rodéowaee kee 6.00 
Banded Beauty ...... 10.00 
YELLOW BUFF 
BLENDS 
*Chamoismearn sea ae aes 55.00 
Old Parchment .......__ .60 
Platinum Beauty ..... 50 
Golden Russet ....... 5.00 
Midwest Gem ........__ -50 
Jean Cayeux ........- EOD 
*Lady Mohr .......... 2.50 
Sorrente mes tons 75 
WUBIN: seo 2oshoogsc 40 
INANKEEIN eer cnn 6.00 
COLOR HARMONY CHART 
(Cont. from page 5.) 
DARK BLUES and VIOLETS are spices to give accent to light 
colors. The light color sheuld dominate numerically. 
Deep Velvet Midwest Gem 
Snoqualmie 
Sable Inspiration 
Golden Treasure 
MAUVE and MAUVE BLENDS with blues, cream yellow, light 
pink. 
Example: 
Wm. Mohr Anitra Sable 
Ozone Copper Rose Indian Hills 
LIGHT PINKS. These combine best with mid-blue, creamy 
yellow or white, although various shades from light to dark are 
pleasant together; also fine with purple. 
Example: 
Melanie Missouri Elsa Sass 
Morocco Rose Misty Gold Golden Majesty 
Harriet Thoreau Inspiration Indian Hills 
Sable in front, back this with a mass of 
Golden Treasure and one Ola Kala 
Golden Treasure Ola Kala Spindrift 
Inspiration Brown Thrasher Pink Cameo 
Tobacco Road Indian Hills 
DEEP PINKS. The selfs are best with light blue or cream. 
Some of the bicolors and blends with a yellow suffusion are good 
with some of the orange, copper-reds and red-browns. 
Example: 
Miss California Anitra Golden Treasure 
Inspiration Copper Lustre Fair Elaine 
PURPLES generally are easy to use. Combine with light blue, 
pink, yellow and cream. 
Example: 
Indian Hills 
Vatican Purple 
Azure Skies 
Ming Yellow 
China Maid 
West Point 
REDS. This is one of the most difficult groups to handle. 
Analyze the color of your particular flower, determine what col- 
ors are its components. Use other flowers of these elemental com- 
ponents in combination. Sometimes a dash of yellow or blended 
pink helps out. Purple-reds may be used as purples in combina- 
tions with others. 
Example: 
Wakarusa Rangitikei Golden Hind 
Stained Glass Majenica Golden Treasure 
Christabel Remembrance Misty Gold 
Jasper Agate Lamplight Snoqualmie 
Yellow Bicolors. Combine with elemental colors. 
City of Lincoln Bryce Canyon Golden Spike 
Frank Adams Lighthouse Stardom 
YELLOW BLENDS. Very difficult to handle. Combine yellow 
and blue blends with pale blue or cream-yellows. Yellow-buff 
blends with pale blue or deeper tan blends and cream. Tan 
blends with pale blue or red-browns. Apricot blends with deep 
pink and yellows. Salmon toned with mid-blue and purple. 
Example: 
Brown Thrasher Rangitikei Pink Cameo 
Tobacco Road Desert Song Bandmaster 
Stardom Christabel Golden Spike 
Prairie Sunset Idanha Old Parchment 
LEMON YELLOW combines with almost everything except 
some blends which are dirty in comparison so use with clear 
colored selfs. Especially good with deep blues and violet. 
MEDIUM GOLD use with pale blues, violets, purples, deep 
rose selfs and most of the reds. 
DEEP YELLOW with medium blue, deep rose, purple, violet, 
purple-red blends and pale yellow. Note use of yellow in fore- 
going list for other suggestions. 
N.B. Frequently similar varieties to those mentioned in the 
above color study may be substituted without destroying the 
color effect. 
Page 39 
