oe 
148 
ticles, moft of ani ch are popular favo- 
rites, either in this or other countrtes, 
we find two rondos by Paefiello, extracted 
from a colletion exprefsly compofed for 
the late Emprefs of Ruffia, General Kof- 
k:ufko’s Grand Ma:ch, with variations by 
Mozart; 
by Haydn ; a favorite rondo by Pleyel, 
and a celebrated air by Gluck. The 
whole forms a handfome felio volume, 
and thould the remaining part of the 
work be felcéted with equal judgment, 
and printed with the fame accuracy as the 
prefent, the ¢¢ Journal de Mufique”’ will 
contain a valuable colleétion of modern 
mufic, 
“¢ Little Sues? a Ballad, as .fung by Mifs 
Danjels, at Vauxhall Gardens, compofed by 
WeeP YR. Cope. is. Clementi and Co. 
* Mr. Cope, in this little compofition, has 
ferupulouby: attended to the turn and 
fenfe of the words, and produced all that 
veriery and rebef intended by the poet. 
The defcent of ihe voice at -*©.O then I’m 
forced to beg for more, ” is judicious, and 
the changes of the time at ** Do {weet 
ane and at» ** Remember little Sue,” 
re particularly proper and expreffive, 
The words are written by Mr. C. Dib- 
din, jun, and by their chara€teriftic eafe 
and fimplicity do credit toe their author. 
SItis Night, and I am ee Compojed by 
the Jate ‘jobu Percy. . 6d. Clementi © Co. 
We find in this Ane fome traits of ge- 
nius and juft conception, much above the 
general caft of med:crn -compofitions 
The words are trom Offian, and the com- 
pofer has entered into their fpirit, fervor 
and wild rudeneis with an enthufiafm 
worthy of that talent and feeling which 
he had alieady dilplayed in fo many fimi- 
Jar inftances. IThe-variation cf the 
movements produces a confpicuous and 
forcible effeét, and the piano forte accom- 
panimeni is jusicioufly and expreflively 
conftructed. 
Numbers 19 and 20 of Apollo et Terpfichore, 
formine a Colieciion of the moft celebrated 
Songs, Duets, Reondos, Airs, Se. JeleGed 
fom the Works of Mozart, Haydn, Pleyel, 
Pah dh, Gc. Ge. Adapted for tke Piano- 
Joitey Liarp, Violin, or German Flute. 1s. 
Rolfe. 
The prefent numbers of this nleafing 
and ufeful work con tain a varie! y a well- 
chafen matier, ana cannot fai] to contri- 
but e to the improvement of juvenile prac- 
titioners, beth vocal and inftrumental. 
Among other attra@tive.litrle articles 
“find Madame Hill: sibera’ s Scotch 
é¢ Sweet fun Es the Vatk,”' com poied 
by Martino 5 a celeprated Wellh aw; 
Review of New Mufical Publications. 
oo A Prey to Tender Anguifh,”’ ” 
[Sept, 1, 
** Hafte the Joys of Life to fhare,” by Roe 
chardt ; a minuet by Mozart ; a cradle fong, 
by Cofpoth, and a ‘favorite rondo by 
Pleyel. . 
Sonata for the Piano forte, compefed by an 
Amateur. 3s 
Goulding, Phipps, and D’ rite a 
We give Meilrs. Goulding and Co. 
due credit for republifthing a fonata at 
once fo beautiful in its ftyle, and fo im- 
proving to the juvenile finger as the pre- 
fent, but cannot conceive by what means 
they have been led into the failacy of an- 
nouncing itas the produlion of an Ama- 
teur. tis from the pen of the late truly 
ingenious John Chriftian Bach, and will 
be found in one-of his fets of familiar 
pieces for the piano-forte. 
We have not the flightet intention to 
infinuate any intended impofitien, but 
feel ourfelves obliged. to remark, that 
es cannot be too circumf{pect as 
to the originality of what is offered to 
them for the prefs, or the propriety of the 
titles and names they adopt. 
66 WV ben Sappho Lund the Rap Strain.’ ede 
Glee, firft compofed by Mr. Danby, for three 
Voices, row arranged for four Voices, Vid. 
a Treble, bey are Tenor, and Bafs, as 
a regular Figure, with alterations, additions, 
and a thorcugh-Bafs, 4s Fofeph Dicttenhofer. 
2S: dircfied. 
Though Mr. a cannot in 
the prefent publication claim the merit of 
an original compofer, much praife is due 
to him for the maftery and judgment-with 
which he has arranged and newly harmo- 
nized this popular glee. The fugue he 
has conftruécted from the fubjeét of the fe- 
cond movement evinces coifiderable {ci- 
ence, and much happy contiivance; the 
anlwers are cvery where introduced with 
fo much meaning and effegt, and exhibit 
fuch proofs of talent in this fpecies of 
compofition, that we hope Mr. Dietten- 
hoter will, ere long, favor the public with 
fome orignal productions, 
Richer’s favorite Hornpipe, arranged as a Ron- 
ao for the Piano-forte, by ‘A. Betts. Is. 
Rolfe. 
This is one of thofe little compdfitions 
which it is become fo much the fafhion to 
form on known and popular fubjcéts, and 
on which we are always inclined to lock 
with a favourable eye, becaufe, while they 
are fo greatly calculated to allure the young 
practitioner to that applicati io, without 
which little advance in execution can be 
expected, they ¢hiefly confit of paflages 
which give a due and proper exercife ta 
the finger Ss 
Dus 
