~ 
1810.] Review of New Musical Publications. +e. GI 
THEOLOGY. Hints on Toleration ; in five Essays, suge 
Twenty-four seject Discourses from the gested for the Consideration of the Right 
Works of eminent Divines of the Church of Hon. Lord Viscount Sidmouth, and the Dise 
England, and of others, never before pub- ° senters. By Philagatharches. “8vo. 19s. 
lished. 8vo. 10s, Préparation for Armageddon, In which 
The enlightning and invigorating Influ- are included two*hetters to a man called by 
‘ence of shining Examples; represented in a himself and“associates the Rev. Joseph Sa- 
Sermon preached at Carter Lane on the 16th muel C.F. Frey, minister of the Gospel to 
September, 1810, occasioned by the death of the Jews; also Strictures on ‘* Remarks on 
Joseph Paice, esq. By Thomas Tayler. 1s.6d. , the Uses of the Definitive Article im the 
A Sermon preached at the Parish Church Greek text of the New Testament.” By Gran- 
of St. Andrew by the Wardrobe and St. ville Sharpe.: ' 
Anne, Blackiriars, on Tuesday, June 12, A Sermon preached at the-Parish Church 
1610, before the Society for Missions to of Stoney Stratford, at the Visitation of the 
Airica and the East, “being their tenth Anni-’ Archdeacon, June ¥8, 1810. By the Rev. 
versary. By the Rev. Claudius Buchanan, Latham Wainwright. 1s. 6d. 
A Funeral Discourse, which was preached - MTORR SAAR BS 
on the-Death of the Rev. Thomas Barnes,. Beauties of England and Wales. .Vol. X.. 
D.D ‘at the Protestant Dissenter’s Chapel, at. ccntaining an Account of London and Mid- 
Cockey Moor, on the 22d of July, 1810. dlesex. By Edward Wedlake Brayley. 8v0> 
By the Rev. Joseph Bealey. 1s. 6d. 1). 3s. large paper 1]. 17s. 
REVIEW OF NEW MUSICAL PUBLICATIONS. 
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ij —— 
Twelve analyzed “Fugues, with double Counter- “¢T have therefore attempted the present 
points in all Intervals, and intreduetory Expla- work, in which I endeavour ta elucidate 
nations, composed for Two Performers on Que. i hoor ge eee Sra 40 eet 5 
Piano-forte or Organ, by A.F.C. Koilman, the above oe by err fer practical 
Organist of bis Majesty’s German Chapel, St. US» according to fhe rules URBAN BED & 
James's. 15s. , . » New Theory, and my Essay on Practieal 
F this article, so full of elaborate re-’. Compesition ; and which will be of equal 
search, so replete with theoretical utility in the study of that art, as tra- 
intelligence, and consequently so.useful velling and seeing the different parts of 
to all niusical students properly socalled, the world, is in thé study of geography, 
we cannot, perhaps, furnish to our read- It consists of fugues in four regular parts; 
ers a better description than by present- and the reason, why I have set it for two 
» ing them with the author’s observations performers, is, because in that form 
prefixed to.the work; after premising could let every part move with more 
ourselves, that the execution keeps pace freedom, and yet render the playing more 
with the design. easy, than the setting it for one per« 
<¢ The art of the Fucue,and of Double former would have allowed. 3 
Counterpoint, has been'so much neg- ‘In these fugues, I presume to offer the 
lected ever since the time of those two public a more compleie and more me- 
greatest fuguists John Sebastian Bach, thodical school of double counterpoints, 
and George Frederic Handel, that at pre- than has hithertobeen known. For they 
Sent it is too generally despised, for want shew counterpoints in almost every. inter= 
_of being sufiiciently known. val by itself, as well as in two, chree, and 
<< And yet nothing in music deserves four, intervals together. And those of 
more to be.cultivated than theknowledge the two last fugues, I believe to be new, 
of that art. For it teaches how ame- as ‘do not know them to have been 
lody can, be harmonized by other melo-. taught, or introduced tv practice, Ly any 
dies; and how the inversion, transpo-. former author. 
sition, and imitation of melodious paris, ‘“‘T wish that the paitis which I have 
produces au abundance of sublime and. taken to render this work as useful as I 
Interesting varieties, which the greatest, would, may not be ‘found quite unsuc- 
genius and natural talent cannot make cessfully bestowed.” 
us invent, without such an assistance. . ¢« Norman’? s Song ;"? written by Walter Scott, Esq. 
And though double counterpoints ‘are dnd composed by Dr. Clarke,of Cambridge. 25, 
most at home ia fugues, they may also In. this composition, the words of whicn 
be introduced in all other sorts of yoeal are from the popular peem of the Lad; 
and instrumental pieces, as will appear of the Lake, Dr. Ciarke, (who has s> 
in numerous works of the-best ancient happily succeeded in setting to music 
and modern authors, many other similar productions) has ac- 
Monrury Mas. No. 205, oA quitted 
