1809.] 
Europes Lines on_the present War; by 
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Latinjand English Poems,Translations, &c. 
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A correct and Authentic Copy of the Evi- 
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Monthly Retrospect of the Fine Arts. : 
207 
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MONTHLY RETROSPECT OF THE FINE ARTS. 
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LS ; 
Pictures, Ge. the Works of British Zits, 
placed in the Gallery of the BRITISM INSTI- 
TUTION, Pall Mall, for Exbibition and 
Sale, 1809. 
HE Bririsn Scuoot of the. Fine 
Arts, though still in its youth, is 
certainly the first of the present day, and 
making progressive strides towards the 
goal of perfection, The French School 
may perhaps possess more anatomical 
learning, and be perhaps better skiiled 
in the grammar of art; yet the British 
School, falling short only in that point 
(which character it behoves her immedi- 
ately to retrieve),surpasses her neighbours 
in every other essential quality. For 
variety, for style, fur beauty, fur truth, 
for character, for conception, she 
MONTULY Mac. 183, 
is unrivalled, and her elevated charac 
terhas reached beyond home. A 
celebrated French writer (Mr. Miilin) in 
a short history of the different acknow- 
ledged schools of art, sums up a brief 
character of each, and concludes that of 
the English school thus. ‘“ Mais on a 
remargué dans ces owvrages une compa- 
sition suge de belles formes, des idées elevtes 
de¥art. Ia beaulé doit entres dans le 
caractére de Vécole Anglaise, parce quelle 
est assez commune en Angleterre ae 
Srapper sans cesse la vue des artistes.” 
Such is the high opinion of one of rhe 
greatest critics of the Fine Arts.in the 
French empire.—To continue the paral- 
jel with other schools: if grandeur was 
the characteristic of ne Romansenool ; 
QO.9 coleuring 
