¥810.] 
6¢ Vel cor piu non mi Sento.” Sung by Signora 
Catalani, at the King’s Theatre. Arranged 
for the 4p forte, by I. Mazzingbi, esq. 
Bs, 6d. 
This celebrated air forms, by Mr. Maz- 
zinghi’s judicious treatment, an excellent 
subject for a piano-forte exercise. The 
variations with which be has so mgenious- 
ly enriched it, greatly enhance the value 
of the publication (especially to practi- 
tioners), and set both the taste and skill 
of the composer in the fairest point of 
view, 
Ai Selection of the most admired and original Ger- 
man Walizes, never before pullished. Adapt- 
ed. for the Harp and Piano forte. Dedicated 
to the Princess Charlotte of Wales, by Edward 
Sones, Harp-Master and Bard tothe Priace 
of Wales. 7s. Gd, 
These waltzes, which are forty-nine in 
namber, are selected with taste. They 
are, for the most part, short, simple, and 
pleasing, and will well serve the purpose 
which we should suppose Mr, Jones chief 
ly had in view, that of agreeably leading 
the juvenile finger through the first stages 
of practice, 
Morgiana. Arvanged a3 a Rondo for the Piano- 
forte. 1s 6d. 
This little rondo is arranged with tole- 
rable address. Its principal recommen- 
dation however, will be the simplicity 
and ease of its style, which render it an 
eligible school exercise. Though short, 
its subject givesjit interest ; and the digres- 
sive matter does not lead the ear astray. 
Number I. of Vive la Dance, a Selection of the 
most admircd Country Dances, arranged as 
Duetts for two Performers on one Piano-forte. 
By eminent Authors. 2s. 
The present duett is arranged hy Mr, 
Blewitt. 
hands, and coinbine with good effect. 
Monthly Retrospect of the Fine Aris. 
The two parts lie well for the. 
269 
As far as we are enabled to fudge by the 
merits of the sample before us, ‘* Vive 
la Dance” will form a useful little work 
for young practitioners on the instrument 
for which it is intended. 
Morgiana in Ireland, a favorite Dance, arranged 
asa Rondo for the Piano-forte, by I. Blewitt. 
1s. 6d. 
The ease and simplicity of this arrange~ 
ment of ‘* Morgiana in Ireland,” will not 
fail to recommend it to the attention of 
those piano-forte practitioners who have 
not passed the earlier stages of execution. 
The passages are well turned, and every 
way calculated to improve the finger of 
the tyro. 
dycotese March and Rondo, for the Piano-forte, 
' Compesed by Mr. Hoist. 9s. 
This “Tyrolese march” is conceived 
with spirit, and the rondo is founded on 
a subject as pleasing as it is original. 
Simplicity of style and ease of execution 
appear to have been Mr. Holst’s chief 
objects; and these, it is no compliment 
to say, he has well attained. 
The fourth, fitth, sixth, and seventh, 
numbers of the vocal works of Handel, 
with a separate accompaniment for the 
organ or piano-forte, have appeared since 
we last noticed this elegant and useful 
work, and continue to exhibit the spirit 
and liberality of the publishers, Messrs, 
Botton and Whitaker, as well as the 
taste and judgment of the conductor, Dr. 
John Clarke, of Cambridge. The fron- 
tispieces to Alexander's Feast, and the 
Oratorio of Saul, are remarkably weil 
designed, as well as finely executed: and 
in an address to the subscribers attached 
to the seventh uumber, the proprietors 
promise a highly-finished: engraving with 
the Messiah, from an exquisite original 
Ecce Homo, by Carlo Dolci. 
MONTHLY RETROSPECT or’ tHe FINE ARTS. 
The Use of atl New Prints, and Communication of Articles of Intelligence, $c. are 
requested under cover to the Care of the Publisher. 
Ee 
Telemachus and Mentor discovered by Calypso on 
the Shores of ber Island 3 painted by R. Wes- 
tall, R. A. engraved By Edward Scriven, 
bistorical engraver to their Royal Highnesses 
the Prince and Princess of Wales; and pub- 
lished by Clay and Scriven, Ludgate-bhill, 
London. 
N this picture Calypso is standing on 
the shore, looking at her visitors with 
troubled daubt; Telemachus “is oir one 
in an attitude of awe 
and veneration. Mentor stands with 
.downeast eyes, as reflecting on the con- 
sequences of landing on the shores of this 
dangerous goddess, and fearing the in- 
fatuation of his youthfui charge. A dis- 
tant rolling sea and cloudy ‘horizon on 
one side, and the dashing surf on the 
other, complete. this excellent composi- 
tion, Calypso is painted above the 
4 usual 
knee at her feet, 
