314 W. THALBITZER. 
Break: tum-arpoa :| :] :/ 
redire 9/9] 
B? aje jaja’ jaja: ja &RE jal. 
Refrain: 2 A? ana: jaje jaja: jaje: 
Вз a?aje jaja jaja Ja a 
Break: {um-arpoa :/ :] :/ 
artäta: :/ SJ >| 
BA а: je jaja: jaja: ja Je: 
(DD) 
ftum-arpoa tum'arpoa шт‘агроа 1 I stamp (on the floor). 
artuäta atuäta artudta: 2 Let us strut! let us strut! 
NOTE. — 2. a‘rliwäta DD, cf. WGr. arzorpoq ‘looks upwards, lifts the 
head, struts.’ The aim is to make a comic effect. 
No. 158. Qitisaarter — She who says: “Let Us Be Frolicsome.” 
Keersagaq (Phon.) 
As regards form and composition see mel. no. 68. The break 
(exclamation) which carries significance in the song is repeated three 
or four times, recurring each time between the lines of the refrain: 
qiisa (or qirica:) ‘Let us be frolicsome, let us indulge in dance 
and jest.’ ! 
NOTE. — " gitisa:t designates (according to Kuannia) the wriggling move- 
ments of the tiwaleq dancer’s shoulders and posterior. 
No. 159. Uxxua — Vexation. 
Peetaannaat (Phon.) 
The following song was sung into the phonograph by Peetaan- 
naat and three other young people in chorus. Peetaannaat, who took 
the lead, kept his face in front of the centre of the phonograph 
receiver while he sang, and the others held their heads as close to 
his as space allowed. The voices of the latter are plainly distinguish- 
able from that of Peetaannaat when heard on the phonograph (cf. 
mel. no. 72). 
(Phon.) 
Refrain A! тедаа]е ja ага ja aj'a'je' 
А? imaga ayaa apayje 
АЗ mega aja yaja aj'a'je' 
В! apajaja jajaja jaja eRe ye 
В? ajaja jajajaja Jaja eRe je 
Вз apajaja ajajaja jaja € Reje' 
Break oa:oa" — oa:oa" — ox:oa" (pause) 
