470 BOLETIN DEL INSTITUTO GEOGRAFICO ARGENTINO 
Salcamayhua tells us the Incas sprang from these Tocos, and 
they certainly held them in great reverence. Molina on the other 
hand goes on to say that /maymana was toid off to travel over 
the Highlands, Tocapo over the Lowlands, in this case the sea- 
coast or region of Chimu. May we not here see a trace of the two 
civilizations, that of Ancon, and that of Tiahuanaco? 
Both worships had to do with the reproductive power of Earth— 
Pachamama—generated by the Water-God—Viracocha ypa Unan- 
chan or Ticct Capac Unanchan (1)—as set forth in plate I. 
We may grant that the identification of the god Jocapu with his 
symbol or attribute—the Opening,—is not as clear and satisfactory 
as in the case of /mavmana with the «Eyes» Raprauin, but what 
has been said goes to prove that the Zoco, Window or Opening 
of Salcamayhna’s plate, is as surely the conventional sign or sym- 
bol of the one as the Rapwauin are of the other, if we can only 
find both symbols included among the details of one or more of 
the idols or statues which have come down to us from the Inca 
days. 
Wiener in his Rervou et Bolivie (p. 421) affords.a very good 
example of a sculptured god with the «Eyes» of Jmaymana and 
the «Windows» of TJocapo. At page 703 he gives us something 
better, it is the reproduction of the bas-relief on the doorway in 
Tiahuanaco, figured also in Max Uhle’s monograph. Wiener calls 
this a representation of the Sun-god, whereas it must rather be 
Vivacocha, the Water-god with all his emblems «Eyes», «Windows» 
Bolts (Yllapa) etc. Of these same «Eyes» of /maymana Wiener 
Says they are:—«<representations of the male force, alluding to the 
reproductive «power of the sun». If we substitute the word «Water- 
god>, for «Sun» we shall have a true idea of the divinity scuiptu- 
red on the famous doorway. A very natural questions suggests 
itself. May not this very doorway itself be the Wemdow or Opening, 
symbolic emblem of one of the persons of the Water-god Trinity. 
Wiener would have it that the Greek frets aresymbolic of gene- 
ration, and most probably they are. 
We are fortunate to possess a wonderful representatién of 
Aticci Vivacocha, an androgynous god, himself both father and 
(14) Unanchan--Name of another attribute of the God--Mark, Warn, Knows. 
