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Feb. 9, 1917. 
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‘class light operatic successes. 
Miss Winthrop was compelled to ap- 
pear before the military authorities 
on charge of divulging information 
concerning the national defense. Let- 
ters, which she had written to her 
mother in America, were used as a 
basis for the charge. She had little 
trouble in convincing the authorities 
of her loyalty. 
A number of views in France, dif- 
ferent types of French soldiers and 
the famous French “75” gun were 
arong the subjects projected upon 
the screen to illustrate the — talk. 
‘French war posters by famous artists 
were also exhibited. 
OOOO00O000OO0O9D 
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B52 Soocsonoscocbes 
“Miss SPRINGTIME.” 
There is just one beautiful th‘.z 
after another in Klaw & Erlanger’s 
exquisite musical comedy production 
“Miss Springtime” which has joy- 
cusly entered upon a second month 
of prosperity at the Tremont Street 
Theatre. It has revived the capacity 
audience days when this playhouse, 
the most advantageously located in 
Boston, was the home of the highest 
And 
“Miss Springtime” is in a_ present 
day class all by itself. Its alluring 
appeal finds response alike from mu- 
sic lover, laughter lover and beauty 
lover. It combines about. everything 
to arouse the public’s enthusiasm. Its 
Hungarian story is expertly told. 
Kalman in his score provides be- 
witching melodies that are being 
Fummed and whistled everywhere. 
“Tur BLur PARADISE.” 
A musical comedy success of more 
than usual interest is that of the 
Viennese operetta, “The Blue Para- 
dise” which will be presented by the 
Messrs. Shubert for the second week 
at Y® Wilbur Theatre, Boston, begin- 
ning next Monday, Feb. 12. Heading 
a cast of unusual talent is Cecil Lean, 
a favorite with local theatre-goers 
and one well remembered for his 
work in other notable musical comedy 
successes. This famous musica! 
comedy ran for a whole year at the 
Casino Theatre in. New York where 
it achieved the most tremendous suc- 
cess known to years of musical com- 
edy. From the Casino it went to 
Chicago where it duplicated its met- , 
rcpolitan success and from whence 
it came here with the same cast and 
production intact. 
“THe Brat.” 
“The Brat,” a new comedy drama 
written by Maude Fulton, who also 
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plays the title role, will begin its sec- 
ond and last week at the Plymouth 
Theatre, Boston, next Monday, Feb. 
12. Oliver Morosco, who has given 
the stage so many splendid entertain- 
ments, notably “The Bird of Para- 
dise? “Peg” 0’ My >Heatt,”,. “The 
Cinderella Man,” “The Unchastened 
Woman,” “Canary Cottage,” “So 
Long Letty,” “Up Stairs and Down” 
and others, is the sponsor for the 
new play. Following his custom, Mr. 
Morosco has assembled another “typi- 
cal Morosco cast,’ a company that 
other producers would probably des- 
ignate as an “all-star cast.” 
“EILEEN.” 
Victor Herbert’s delightful operetta 
“Eileen” in which this brilliant com- 
poser has by far surpassed himself, 
begins its fifth week of unabated 
prosperity at the Shubert Theatre, 
Boston, next Monday night, Feb. 12. 
There is no one who is not willing 
to admit that in this operetta Victor 
Herbert has written his best work, 
the score of which fairly overflows 
and his melodies at once gay, senti- 
mental and heroic and every one of 
them as fragrant and as fresh as the 
perfume of an Easter Lily. — It is 
music, too, of the kind that possesses 
zest and brilliance. The unanimous 
opinion is that “Eileen” from begin- 
ning to end shows Victor Herbert at 
the height of his achievement in a 
long and distinguished career. 
“A DAUGHTER OF THE Gops.” 
Beginning and ending with scenes 
of poetic beauty and disclosing during 
the development of its fantastic nar- 
rative action scenes of most colossal 
size, William Fox’s million dollar 
picture beautiful “A Daughter of the 
Gods” with Annette Kellerman in the 
principal part, will enter into the fifth 
week of its unabated success at the 
Majestic Theatre, Boston, next Mon- 
daoy, Feb. 12. Judging by the inter- 
est manifested in this stupendous 
spectacle large and enthusiastic audi- 
ences will be the rule as long as the 
management of the Majestic sees fit 
to retain its present attraction. 
CopLEY SQUARE THEATRE. 
Oscar Wilde’s sprightly comedy- 
drama, “Lady Windemere’s Fan,” 22 
years young and as timely as when 
first produced in London, is to be the 
attraction at the Copley Theatre next 
week, where the Henry Jewett Play- 
ers have for weeks been drawing 
capacity audiences. A special mati- 
nee is to be given Monday, Lincoln’s 
birthday. 
The witticisms and flashing dia- 
logue of the “Fan,” as it is popularly 
known, make it one of the most 
thoroughly enjoyable pieces of dram- 
atic writings in the language. 
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