Colonial Theatre 
It is good news to the theatre-going 
public of New England that arrange- 
ments have just been completed by 
which it will not be necessary for 
“The Time, the Place and the Girl,” 
to leave Boston upon the conclusion 
of the original limit of the engagement 
as booked at the Tremont Theatre to- 
night. When the comedy from 
Chicago first came here nobody 
thought that it would be necessary 
for the piece to stay here more than 
four weeks. So great was the success 
of this offering, however, that it was 
quickly evident that four weeks would 
not suffice, but then difficulties began 
to arise. There were other attractions 
booked to follow at the Tremont 
Theatre. However, there was a pos- 
sibility for “The Time, The Place and 
The Girl” to move to another theatre, 
and that was what was decided to do. 
No better spot could be chosen than 
the Colonial Theatre, which is so near 
to the present Yocation of the comedy, 
and which has already proved its emi- 
nent suitability for the home of sum- 
mer productions of musical comedy or 
comic opera. Remember that the 
time will be any evening after next 
Monday, the place—the Colonial The- 
atre, and the girl—any one of the 
charming creatures who have proved 
the delight of Boston for the past four 
weeks, and who should now stay on 
for the whole summer. 
Keith’s Theatre 
Another seasonable bill, full of 
bright, lively features, will be in evi- 
dence at Keith’s next week. The 
most important event will be the fare- 
well to the Boston vaudeville stage of 
Will M. Cressy and Blanche Dayne. 
For their final appearances, “The New 
Depot,”’ possibly the best and most 
characteristic of all Mr. Cressy’s 
sketches, has been selected. 
The original Pony Ballet will surely 
prove a most attractive feature. 
It will be a pleasure for the Keith- 
ites to welcome Howard and North in 
their skit, “Those were Happy Days.” 
Zeno, Jordan and Zeno have a very 
novel aerial act. An act that has 
scored very strongly in New York is 
McKenzie and Shannon’s vocal sketch. 
Mr. and Mrs. Allison in ‘Minnie 
from Minnesota”; Elsie Faye and 
Bissett and Miller, in an attractive 
dancing act; the Martin Brothers, 
xylophonists ; Dora Ronca, the Gypsy 
violinist ; Irvin R. Walton in mono- 
logue; Gladys Clark, Bergman and 
Mahoney, in a sketch; Chick, a trick 
cyclist, and the Kinetograph, will 
complete the program. 
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