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Hollis Street Theatre. promise of marriage thereby prov- 
There are many ways of getting ing his infidelity, and then, when she 
laughter out of an audience, but has, to the hilarious delight of the 
there are no fairer, squarer, more audience, achieved her purpose, 
direct and honest ways than those calls to her daughter when she has 
employed by May Robson, and she — been listening to it all. 
uses them all in her new comedy, Or if you can picsire to your 
‘A Night Out,’’ which has taken self this same dear, understanding 
Boston by storm. It is a scream old lady in the tiny, wee hours of 
from beginning to end, and the sit- early morning, kalf plunging, pull- 
uations are funnier than the dia- ing and twisting herself.over the 
logue, which fairly coruseates. 
If one can imagine a splendid old 
lady making amorous approaches to 
a deaconized professor in order to 
test his affection for her scoldy, 
widowed daughter, doing it so 
charmingly, so real and fetchingly, 
as to win his attentions, and to her 
daughter’s utter astonishment, a 
rail of a second-story poreh-veranda 
and falling into a chair nearly ex- 
hausted from her night out, then 
you may have some idea of May 
Robson in her newest character role 
of ‘‘Granmum’’ of the _ farcical 
comedy ‘‘A ‘Night Out’’ which she 
is now playing at the Park Theatre, 
and the gleeful merriment it will 
Educational and Industrial Union 
/ 264 Boylston St., Boston, Opp. Public Garden 
Automobile Luncheons 
Candy Kitchen Candies 
B. F. Keith’s Theatre. 
Louis A. Simon and Kathryn Os- 
terman, supported by a company of 
fourteen people, will make their first 
appearance in Boston as co-stars at 
B. F. Keith’s Theatre next week in 
‘A Persian Garden.’’ Louis A. Si- 
mon is without question one of the 
funniest comedians the American 
stage ever produced, and Kathryn 
Osterman is one of the cleverest of 
comedians. For their vaudeville en- 
gagement together these two artists 
have been unusually fortunate in 
the selection of a vehicle, for ‘‘A 
Persian Garden’’ is by far the fun- 
niest and most tuneful miniature mu- 
sical comedy ever staged in vaude- 
ville. The book and lyries are the 
work of Edgar Allen Woolf, and the 
musical seore, composed by Anatol 
Friendland, is of unusual charm and 
beauty. Among the eatchiest airs 
are ‘‘That Persian Rug’’ and ‘‘ Who 
Stole Those Persian Plums?’’ This 
production runs forty minutes, and 
is by far the most pretentious thing 
of its kind ever produced. Another 
big novelty of the week will be the 
first American appearance of Olga 
Petrova, the Russian mimie and im- 
personator, who comes to Boston di- 
rect from a tremendously successful 
engagement in London, where she 
duplicated her St. Petersburg suc- 
cess. 
HAND WORKED SHAWL 
One of the forty-niners on his re- 
turn from the gold fields of Cali- 
fornia, brought home with him two 
beautiful large crepe shawls. One 
of these which shows the work of 
skilled Chinese or Japanese handi- 
eraft, is still in a perfect state of 
preservation, It has long fringe and 
a heavy raised border. It is a 
beautiful work of art, too beautiful 
by far to be laid away unused. It 
ean be seen or purchased by ealling 
on Miss Elizabeth Moore, 14 Jack- 
son street, Beverly, Mass. 
The Breeze mailed to any part of 
the country $2.00 a year. 
afford to the large audiences which 
will crowd the Hollis Street Theatre, 
where Miss Robson will open on 
Labor Day Matinee for a limited 
engagement of four weeks. 
