‘Dee. 15, 1916. 
for holding its annual exhibits is 
shown by the response to the commit- 
tee’s plea for funds. The campaign, 
_ which began early in September, oc- 
cupied just a few days more than 
three months. 
; [heatres es 
/ “You’RE IN LOovE.” 
At the Shubert Theatre for the 
coming week, Arthur Hammerstein’s 
“You're In Love” musical comedy 
will continue for its third and last 
week, beginning Monday, December 
18th with all the charm and dainti- 
ness that pleased so mightily during 
its week-end rendition just closed. 
The piece, with its beautiful stage set- 
tings,’its well-balanced cast, its fresh- 
to-look-upon youthful chorus, its ex- 
cellent song numbers and charming 
sensational novelty in which the prima 
donna is discovered sitting on the end 
of a boom on ship-board, swinging 
clear over the heads of the audience, 
is sure to continue the furore that it 
created on its premier here. Marie 
Flynn in the leading prima donna 
role, and May Thompson in sweetly 
pretty song and dance numbers, are 
pleasing to behold, particularly in the 
“VYou’re In Love” song; “He Will 
Understand” ballet, and the ‘“Love- 
land” lullaby. The feature hit of the 
play, above spoken of, is one of the 
most novel stage picturings ever de- 
vised. 
“SomEBopy’s LUGGAGE.” 
_ Beginning next Monday evening, 
December 18, the Plymouth Theatre, 
Boston, will have for its attraction in 
its second and Jast week a new far- 
‘cical comedy, “Somebody’s Luggage,” 
in which Messrs. Shubert will pre- 
sent the inimitable James T. Powers. 
The play is by Mark Swan, who 
wrote “The Third Party” and other 
successful comedies. This will mark 
Mr. Powers’ return to the legitimate 
Stage after an absence of two years. 
He has always been a popular favor- 
ite here as a musical comedy star. 
The supporting company includes 
Ethel Grey Terry, Lillian Tucker, 
Louise Emery, Lionel Belmore, 
Frank Farrington, Edward Lester, J. 
T. Chaillee, George Biddell, Erie 
Blind and James Malaidy. 
“Tir CINDERELLA MAN.” 
Oliver Morosco’s success, ‘The 
Cinderella Man,” from the pen of 
Edward Childs Carpenter, will start 
on its 6th popular week at Y® Wilbur 
Theatre, Boston, next Monday eve- 
NORTH SHORE BREEZE 
Toilet Articles 
UR line of these most desirable gifts is very complete. 
You can 
choose them in silver plate and French ivory, either cased in 
complete sets or as individual pieces. 
No matter how much or how little you wish to spend we can 
meet your requirements in this line. 
F. S. THOMPSON, Jeweler 
164 Main St. - 
Gloucester 
ning, December 18, with every indica- 
tion its continuing to fill at every per- 
formance this ideal little playhouse. 
The author describes his theme as 
“the essence of romance,’ and the 
play is a worthy successor to “Peg O’ 
My Heart” which was also on of Mr. 
Morosco’s successes. 
In selecting the cast, Mr. Morosco 
has used the same infinite care that 1s 
noticeable in all of his productions. 
The cast includes: Shelly Hull, Phoebe 
Foster, Frank Bacon, Newton Church- 
ill, Reginald Mason, Charles Lane, 
Hubert Wilke, Percy Moore, Theo- 
dore Babcock, Louise Rial and others, 
who appeared at the Hudson Theatre, 
New York, during its season engage- 
ment there. 
“His Majesty, BUNKER BEAN.” 
Napoleon or Ram-Tah? The cour- 
age born of the thought that his an- 
cestor was either the great warrior or 
Egypt’s greatest mythological char- 
acter, gave Bunker Bean the fighting 
ability, the personal egotism to go 
ahead and win out in a work-a-day 
world, to hew from the sordid, ro- 
mance, financial success and the girl 
of his heart. This story under the 
title of “His Majesty Bunker Bean” 
is from the pen of Harry Leon Wil- 
son, and had a great vogue sometime 
ago when it ran serially in the Satur- 
day Evening Post. Lee Wilson Dodd, 
a clever young playwright, made a 
most clever dramatization of the 
stories, which was seized upon by 
Joseph Brooks as a starring vehicle 
for Taylor Holmes, the _ brilliant 
young farceur, who now reigns su- 
preme at the Majestic. Theatre, Bos- 
ton. 
CopL&éy THEATRE, Boston. 
For novelty it would be hard to 
beat the offering of the Henry Jewett 
Players at the Copley Theatre, Bos- 
ton, next week, where a holiday bill 
of four notable one-act plays is to be 
the attraction. 
Not only are all the Jewett Players 
to be. seen in the casts, but among 
them will be found two new additions 
to this gathering of talented English 
stage folk—Miss 
Florence LeClercq, 
who has just completed an engage- 
ment in New York with Cyril Maude, 
and Miss Dorie Sawyer. 
KerrH’s THEATRE, Boston. 
Six extraordinary features of un- 
usual interest and attractiveness head- 
ed by the jolliest of comediennes, 
Emma Carus, the musical comedy star 
and apostle of happiness and good 
cheer, will be offered at B. F. Keith’s 
Theatre “The Amusement Center of 
Boston” the week of December 13th. 
Besides Miss Carus, the bill wil! in- 
clude John B. Hymer’s brand new 
one-act comedy “The Night Boat”; 
dainty little Marion Weeks; Jimmy 
Hussey & Co. in “The Fox Hunters,” 
Laura Burt & Co. in “Lady Gossip” ; 
George Roegner and his quaint char- 
acter types and the Australian Creigh- 
tons. Miss Carus will be assisted by 
Larry Coner the Beau Brummel of 
songland and together the pair will 
offer a conglomeration of songs, 
dances and comedy novelties. Miss 
Carus will wear some wonderful new 
gowns. Everyone who laughed at 
“Maggie Taylor—Waitress” played at 
Keith’s recently by Jean Adair & Co. 
will want to see the new one-act com- 
edy by the same author John. B. Hy- 
mar, entitled “The Night Boat.” ~ 
Boston THEATRE. 
Charlie Chaplin, the funniest man 
in the world, assisted by Marie Dres- 
sler, in his great comedy masterpiece 
“Tillie’s Punctured Romance” and 
the Denman Thompson celebrated 
“Old Homestead” double quartet, wil] 
be the principal picture and vaudeville 
features offered at the Boston Thea- 
tre the week of December 18th. 
“Tillie’s Punctured Romance” is with- 
out doubt the funniest picture ever 
made. It is one succession of laughs 
from start to finish, running over an 
kour and introducing the very best of 
Charlie Chaplin. 
He—Do you remember Horatius at 
the bridge? 
She—I don’t think I ever met him. 
You know, we invite so few men to 
our card parties.—Stray Stories. 
